Baroque Era

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Baroque Era

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Baroque Music Collection - Vivaldi, Bach, Corelli, Telemann...

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In the later part of the period, the Baroque style was termed Rococo , a style characterized by increasingly decorative and elaborate works. Queluz National Palace, Portugal : In the Baroque style of architecture, emphasis was placed on bold spaces, domes, and large masses, as exemplified by the Queluz National Palace in Portugal. Privacy Policy. Skip to main content. The Baroque Period. Search for:. Defining the Baroque Period Baroque is a period of artistic style that started around in Rome, Italy, and spread throughout the majority of Europe.

Learning Objectives Name the most prominent characteristics of Baroque art and its best known artists. Key Takeaways Key Points The most important factors during the Baroque era were the Reformation and the Counter-Reformation ; the development of the Baroque style was considered to be closely linked with the Catholic Church. The popularity of the Baroque style was encouraged by the Catholic Church, which had decided at the Council of Trent that the arts should communicate religious themes and direct emotional involvement in response to the Protestant Reformation.

The Baroque style is characterized by exaggerated motion and clear detail used to produce drama, exuberance, and grandeur in sculpture , painting, architecture, literature, dance, and music. By , Mozart's health was failing. He received a commission that resulted in the composition of The Magic Flute. He was also visited by a representative of a Count Walsegg, who commissioned a requiem. Mozart may have believed he was writing a requiem for himself. He died before completing the work, and it was finished by a pupil of Mozart's named Sussmayer, working from Mozart's sketches of the unfinished portion. Mozart's choral output includes eighteen masses, the Requiem, two Vespers settings, and a variety of shorter choral pieces.

Ludwig van Beethoven was born in Bonn, Germany, in He came to Vienna in , where he studied with Haydn and Albrechtsberger. His first public performances in Vienna as a pianist and composer came in Beethoven protested against the patronage system that bound musicians to the service of an employer. Increasingly deaf, Beethoven eventually was forced to retire from public performance and to concentrate on composition. Unlike Mozart, who seemed to conceive of music in final form and who simply wrote down his conceptions, Beethoven's sketchbooks provide a record of his agonizing struggle to arrive at a composition he felt was satisfactory.

Beethoven was primarily a composer of instrumental music, and it is in his symphonies, piano music, and string quartets that the transition from Classic to Romantic style is most clearly discernible. Nevertheless, his choral music is an important part of the repertoire, and his Mass in D Major, the Missa Solemnis, is one of the monuments of Western musical tradition. Beethoven's choral output included two masses, an oratorio, two symphonic works with large choral sections and a few smaller pieces. Music from the Classical period is distinctive in style from what preceded and followed it. Some of the questions related to performance practice in Renaissance and Baroque music are less complex because at this point in Music history we have much clearer and more explicit indications from the composer concerning the tempo, dynamics, and expressive qualities of the Music under consideration.

Moreover, there have been public performances of this repertoire from the time of its composition to the present. This is both a help and a hindrance in light of the fact that through the last two centuries, certain Romantic conventions have become an accepted part of the performance of this music, and they are not always appropriate to authentic Classical style this same Problem of inappropriate performance conventions added during the Romantic period exists with Baroque repertoire and, to a lesser extent, music from the Renaissance. The lighter quality of Classical music also is derived from its slower harmonic movement. Baroque music, with its emphasis on vertical structure and use of figured bass and basso continuo, is characterized by frequent harmonic changes, sometimes on every beat.

Classical music changes chords much less frequently, giving it a more graceful sweep and lightness of phrasing than that created by the pulsating feel of a harpsichordist realizing a Baroque figured bass part, supporting the choral singing with rapidly changing embellished chords. The keyboard part should be much less obtrusive and less highly decorated than that of a Baroque work. The choral music of the Classic period is generally conservative, and therefore often contains sections of free counterpoint, fugue, and use of continuo, reminiscent of the Baroque. This is particularly true in the music written in the early part of the period. The Classical era was an era of formality. The music was characterized by careful attention to form and by elegance and restraint.

The formal structure was based on the use of thematic development and harmonic structure. The music of the Classical era is characterized by objectivity. While emotion is an important aspect of all music, in the Classical period, emotions were carefully controlled. This control is evident in the use of dynamics and expressive differences within sections or movements of a composition.

The Baroque notion of terraced dynamics, coupled with the expression of a single emotion in a given section of a composition, was replaced by the classical trait of varying the emotional content of a given movement, section, or even a measure of a piece. From Wikipedia, the free encyclopedia. Lists of classical composers by era and century Medieval — Renaissance — Baroque — Classical — Romantic — Modernist — Postmodernist since 20th century — 21st century since Composers of the Baroque era, ordered by date of birth: Contents. Baroque music. Allegri G. Caccini Coelho J.

Dowland Franck Frescobaldi Gabrieli V. Galilei C. Gibbons O. Amodei d'Anglebert H. Lully M. Marais J. Pachelbel J.

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