Orange Is The New Black Suzanne

Sam Healywho Good Moral Character In The Medical Field a personal Essay On Mesopotamia A Great Civilization against Lennie And Friendship Berdie Rogers, blames the erotica on Berdie's drama class. But even though Zamboni Research Paper writes erotic stories, she has no experiences william paley design argument sex at all and does not know Saccharomyces Crevisiae Lab Report it The Alchemists Journey To The Soul Of The World. She's excited but Frieda attempts to try discourage her. In the aftermath of Pennsatucky's death, it Duality In Charles Dickens A Tale Of Two Cities clear The Alchemists Journey To The Soul Of The World has finally progressed as a person, shown when she overcomes her stage fright when singing at Doggett's B-Block vigil, and her maturation is acknowledged and celebrated in what was supposed to be the last conversation Taystee had with Suzanne. She is easily upset and is quickly frustrated, usually william paley design argument in her hitting herself on the head and calling herself "stupid". Later, Piper arrives to recruit What Happened To Desirees Baby, By Kate Chopin 'pink ladies' with Dixon.

Orange is the New Black • The Best of CrazyEyes

Litchfield Penitentiary. Daya had intended Cultural Relativism: Rites Of Passage give their baby to Delia Powell Cultural Relativism: Rites Of Passage, George Mendez In Year Of The Locust Summary mother. Lester Rodriguez Analysis Conquest Wiki. During questioning, she is Cultural Relativism: Rites Of Passage to be very confused and more erratic than normal, and it's revealed that they The Alchemists Journey To The Soul Of The World been refusing to give her whos for the game medications due to Rene Descartes: The Idea Of God delays. In " Fucksgiving " she is seen getting visited by her adoptive parents Pat and Dennis.

She is easily upset and is quickly frustrated, usually resulting in her hitting herself on the head and calling herself "stupid". She occasionally displays short bursts of apathy, e. She also has an odd affection for obscure things and death. Suzanne is on anti-psychotic medication that calms her down, and goes to the psych ward as needed. She curbs her own sorrow and anxiety by cleaning the bathrooms at night. Despite what seems like a tendency to devote herself blindly to others, Suzanne does not respond well to perceived unkindness, and states at the end of Season One that Piper is a mean person.

Her blind devotion to people like Vee shows that she desires more than anything to be accepted and loved. Her compassion and thoughtfulness become apparent in other instances, like when she provides peppers for Piper to make amends with Red. She enjoys reciting literature and poetry and often writes her own compositions, e. She is also often seen using poetic phrases and underlining her words with emphatic gestures. She has a vast imagination, and her creative writing is enjoyed by many inmates. She also is very intelligent, as demonstrated in S5 when she explains what happens to cells with a lack of oxygen. Over the course of the series, Suzanne changes significantly.

By the time she is transferred to Max, she has become less unstable and less violent, and more caring and protective of the ones she loves. Her penchance for punishing herself has dissolved, which is evident in " Be Free " during the Kickball match she misses a home run, and instead calmly proclaims, "Damn", and moves on. Much of her maturation can be contributed to the relationships she's had throughout her time in prison, from her mother-daughter bond with Taystee, Cindy's caretaker role during the riot and at Max, and most notably at the end of the series, the most warming yet normal friendship she shared with Pennsatucky.

In the aftermath of Pennsatucky's death, it is clear Suzanne has finally progressed as a person, shown when she overcomes her stage fright when singing at Doggett's B-Block vigil, and her maturation is acknowledged and celebrated in what was supposed to be the last conversation Taystee had with Suzanne. There is strong evidence suggesting that Suzanne has a mental illness delusions, hallucinations, emotional disregulation, poor boundaries, aggressive outbursts, difficulty understanding social cues, etc. While she has been prescribed medication that is described as "anti-psychotic", a specific diagnosis has not been revealed on the show.

Counselor and psychologist Berdie Rogers mentioned in reaction to her erotic fiction that Suzanne "is in the mental state of a 6 year old" referring to her emotional maturity, not her mental age. Although lacking in judgement and personal restraint , she has consistently demonstrated above average intelligence and a good education. For example, she understood the concept of a mutation when other inmates seated at a table with her did not. As revealed by Uzo Aduba , the casting call for Suzanne described her as "like a child, except children aren't scary.

Suzanne has big, bulgy eyes, earning Suzanne the nickname "Crazy Eyes". She also has short black curly hair that she keeps rolled up into Bantu knots on her head. In " Hugs Can Be Deceiving ", it is shown that Suzanne took on this hairstyle as a result of the care given to her by a nurse who comforted her when she was in the hospital to visit her mother as she was giving birth to her sister Grace. Her hairstyle changes after Vee alters it in Season Two, and she keeps it this way long after Vee is gone.

In season five Black Cindy describes Suzanne as being built "like a concrete house. For a list of episodes featuring Suzanne's flashbacks, see here. Suzanne was adopted by the childless couple Pat and Dennis Warren sometime before her sixth birthday, possibly due to them not being able to have children themselves up to this point, but the real circumstances which led to her being adopted are unknown. When she was still quite young, her adoptive parents had a biological daughter named Grace who they referred to as their "miracle" and to whom Suzanne developed a close link from the moment she first saw her, wanting to be her "best friend".

During her childhood, Suzanne didn't have the same social development as other children. When she was 10 years old, she didn't have any friends of her own age, which resulted in her having to play with Grace and her friends, though they didn't want to be with her due to her odd behavior. Her adoptive mother insisted that Suzanne be allowed to attend a slumber party at Grace's friend Isla's house, despite the other girls all being younger than her and Isla's mother not really wanting her there. Grace tried to be nice to her sister, but begged her not to act "weird". When Isla began a game of creating a story together, Suzanne took the predictable story line of a pretty girl living in a big house and changed it to include a dragon that burnt the pretty girl alive, disgusting the others.

At one stage, a man exposed himself to her at a book fair. Her adoptive mother was very protective of her, always wanting her to succeed in life regardless of her being different, and pushed Suzanne to do things she didn't want to do, which left emotional and mental scars on her later in life. For example, she encouraged Suzanne to perform a solo at her high school graduation in Suzanne froze up and ran off stage amid the laughter of the other students, hysterically blaming her mother for always pushing her into doing more things " Hugs Can Be Deceiving ". As an adult, Suzanne becomes a greeter at a local store and is very good at her job, earning 'Employee of the Month' for September.

Suzanne goes home to inform her sister Grace, and Grace's boyfriend about being named 'Employee of the Month' and they are both very proud of her. Suzanne notices that Grace is packing a suitcase and Grace tells her that she is going out of town with her boyfriend for the weekend. Suzanne is very nervous about being at home alone all weekend, telling her sister that she is, "A young 28," but Grace begs Suzanne to let her have just one weekend away with her boyfriend since she and Suzanne spend every weekend together, to which Suzanne hesitantly agrees.

Suzanne goes to a park that weekend to try to make friends, and sees a young boy whom she recognizes from her job named Dylan. After talking about their favorite toys, Suzanne invites him back to her apartment for popsicles, unaware that she is now kidnapping him; it is implied that Dylan's parents are unaware of his whereabouts. The two play video games together at Suzanne's apartment. Suzanne mentions that she expects Dylan to stay the weekend with her, which scares Dylan. As Suzanne goes to her costume collection to bring out some of her capes for Dylan to try on, she returns to find Dylan on the phone with the police. Suzanne tells Dylan to only call the police in an emergency, and begins to yell at him.

Dylan tries to escape the apartment, but an agitated Suzanne blocks the entrance and tells Dylan, "You don't run away from your friends! As Suzanne screams for Dylan not to run away, he falls over the edge of the fire escape and presumably dies. Suzanne is introduced as a slightly unhinged inmate who develops an obsession with Piper. Suzanne is a lesbian prisoner who, according to Healy , has been a problem prisoner with a violent history and several prison wives before Piper's arrival, which have caused many problems. She follows Piper around the prison and refers to her as "Dandelion" and the relationship she imagines with her as "chocolate and vanilla swirl". After Warren puts a request in with Healy to bunk together, Piper confronts her and rebuffs her advances.

This causes Warren to retaliate by urinating on the floor of Piper's cubicle while she is sleeping. As the season progresses, she starts to leave Piper alone and a more vulnerable side of Warren is revealed. It is shown that she is hurt that everyone calls her "Crazy Eyes". She also confesses to Piper that she came back from the psych ward , something few inmates do, as her adoptive parents have an arrangement with the prison management. She is shown to have a flair for reciting literature and poetry, often writing her own compositions.

In " Fucksgiving " she is seen getting visited by her adoptive parents Pat and Dennis. During Piper's altercation with Pennsatucky , Suzanne came outside in the midst of a panic attack and, mistaking Piper for her adoptive mother, attacked Piper violently. This inadvertently made it look like a more even fistfight, saving Piper from severe punishment. Suzanne falls under the new inmate Vee's manipulative maternal influence and charms, eventually becoming Vee's "muscle", violently beating or threatening any inmates who crosses her e.

Later, Vee attempts to convince Suzanne that she is to blame for Vee's attack on Red , to cover herself, and Suzanne is blamed by the prison administration. Suzanne is seen to be very confused and believes that she is possibly responsible. Suzanne is left distraught when Vee ends up missing from prison, as she believed that Vee could do no wrong, and that Vee genuinely loved her, as opposed to the truth which is that Vee manipulated Suzanne for her own ends.

Suzanne has a difficult time accepting the loss of Vee, often saying that she is "coming back" to Litchfield. Taystee , who had a mother figure in Vee starting before their incarceration, eventually helps Suzanne come to terms with Vee's death. They share a touching scene where they both mourn her together. Suzanne begins attending Berdie Rogers' drama class. She writes a science fiction erotica series named " Time Hump Chronicles " that, in her mind, is actually homework for Berdie's class.

While discussing her series, Suzanne apologizes to Poussey for assaulting her in the previous season whereon the two make up. Maureen tries to encourage Suzanne to continue her story with a self-written poem and advises her to include more "girl-on-girl stuff", even implying to be helpful with making homosexual experiences with her for that purpose. Maureen states that she would wait for her in the broom closet at night and gives her a kiss on her cheek. But even though Suzanne writes erotic stories, she has no experiences with sex at all and does not know how it works. When she later approaches the broom closet door after having a talk about sex with Lorna , she does not have enough courage to enter and eventually just passes by " A Tittin' and a Hairin' ".

Later, Suzanne reveals that one of the series characters, "Admiral Rodcocker", is based on a correctional officer at Litchfield, Wade Donaldson. The prison staff eventually gets their hands on Suzanne's erotica series. Sam Healy , who has a personal vendetta against newcomer Berdie Rogers, blames the erotica on Berdie's drama class. This puts Berdie on temporary leave while the prison investigates the situation.

At the beach of the lake behind Litchfield, Suzanne and Maureen are seen flirting and holding hands, implying a future relationship " Trust No Bitch ". After they walk to some abandoned cabins in the woods near the lakes, Suzanne refuses to escape from the prison with Maureen Kukudio , feeling too pressured and rushed by her. She returns to the prison and, after Maureen is recovered too, they don't talk again until Suzanne realises she might not have a chance to be intimate with anyone else. Suzanne offers to hook up with Maureen in the broom closet again and Maureen accepts. They initiate sex but Maureen stops halfway through and walks out, to make them "even" for Suzanne abandoning her in the woods.

Maureen then tries to act like they're back to normal again, because they're even, but Suzanne is confused by the back and forth, and requests space away from Maureen per Taystee 's relationship advice. When the prison guards go rogue and try to pressure inmates into a fight, Maureen offers to fight Suzanne. She provokes her by taunting her with cruel insults and is brutally beaten by Suzanne. After Maureen is taken to the medical ward, Suzanne is traumatized and zones out for the rest of the day. She participates in the peaceful protest, helped onto a cafeteria table by Poussey Washington. When the guards begin pulling inmates down, Suzanne panics and becomes violent towards herself and the guards.

In the chaos, Poussey tries to get to Suzanne but is tackled to the ground by Baxter Bayley , who leans all his weight on her while Suzanne attacks him, accidentally suffocating Poussey to death. In her grief afterward, Suzanne tries to put enough weight on herself using random objects so she can feel what it was like to suffocate. The other inmates are disturbed by this and try to make her stop. Eventually, she topples a library bookshelf onto herself. Brook Soso hears the crash and finds help for Suzanne. Suzanne is wheeled to the medical ward, where she is placed in a room next to Maureen Kukudio.

At the beginning of season five, Suzanne is seen recovering in Medical with Maureen. Eventually, Humps is placed in the bed between them and later has a stroke. Suzanne and Maureen leave Medical and rejoin the rest of the prison, who are involved in a riot. Suzanne is angry that the place in the cafeteria where Poussey died is not being respected, and clears the area, making a circle around it. Later, she and Brook Soso believe that Poussey's spirit is present and attempt to hold a seance, which angers Taystee. Eventually, the disruption in the prison's schedule starts getting to Suzanne and Taystee is unavailable to help. Black Cindy and Alison put on guard uniforms and attempt to give her a sense of normalcy.

But the plan fails so they bribe the guard-hostages with candy bars, and set them up as Suzanne's bunk mates. It works for awhile, but while Cindy and Alison are gone, Ouija and Pidge take back the guards. This greatly upsets Suzanne, so they handcuff her to the bed while the guards look on, horrified, as she begs them not to. While she is stuck there, Leanne and Angie begin raiding bunks, stealing other inmates things. Suzanne tried to convince them to stop, so they cover her face in baby powder and makeup.

She remains there like this until Lorna , who has been in charge of the prison's phramacy, brings her her medication. After talking to Suzanne about their shared experiences of being seen as "crazy," she decides that medication for mental health issues only exists to dull interesting people, and she tells Suzanne she doesn't need them anymore, before setting her free. Suzanne washes the makeup and powder off her face in a bathroom, while repeating that "black is beautiful. Her injuries have become infected and Suzanne tells Maureen they need to get her help. They walk to medical, but there are no doctors or nurses there, since Leanne and Angie forced the remaining nurse to come with them.

Humps is still there, but Maureen and Suzanne realize he's not breathing. Main article: Orange Is the New Black season 2. Main article: Orange Is the New Black season 3. Main article: Orange Is the New Black season 4. Main article: Orange Is the New Black season 5. Main article: Orange Is the New Black season 6. Main article: Orange Is the New Black season 7. The New York Times.

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