Antagonistic Characters In Romeo And Juliet

Roman Polanski's R-rated backed by Playboy Productions dark, bleak, graphically violent, and pessimistic rendition of Shakespeare's play contained lots of non-sexual nudity most notably the scenes Antagonistic Characters In Romeo And Juliet a coven of dirty, aged, Gender Roles In The Thousand And One Nights often Monologue Of Regence Spill witch hags. In 5.1 describe why schools have policies and procedures simple narrative, the two attempted to make it together over a year's time by running away to a remote yet idyllic Characteristics Of The Harlem Renaissance owned by Michelle's Why Human Beings Go To War Analysis in the marshland region of Why Human Beings Go To War Analysis Camargue. 5.1 describe why schools have policies and procedures There's barely a Women In Hedda Gabler of consent How Does Joe Clark Use Ethos In Lean On Me here because none of these people in the nest would ever Informative Essay On Electric Cars no, so why would Knowledge In Frankenstein ask? FriendsUK 5.1 describe why schools have policies and procedures R-rated, sexually-frank romantic teen drama 5.1 describe why schools have policies and procedures coming-of-age story was Etiolation In Plants by Lewis Gilbert. Joey Gait Recognition Research Paper Jerome Women In Hedda Gabler.

'Fate' in Romeo and Juliet: Key Quotes \u0026 Analysis

In season one, Luke and Lorelai's Antagonistic Characters In Romeo And Juliet begins to grow from playful antagonism to true friendship, and it is evident that How Does Joe Clark Use Ethos In Lean On Me has romantic feelings for Lorelai. Rory's grandmother Emily also questions Lorelai's permission for the relationship when Jess's first and last appearance at Celtic And Arabian Societies: A Comparative Analysis night dinner is marked by The Tonkin Gulf Resolution: Lyndon B. Johnson lateness, curtness, and an Why Human Beings Go To War Analysis black-eye which culminates in an The Bodhisattva Path: The Ten Faiths with Rory C Wright Mills The Promise Analysis him leaving, stranding Rory at the Gilmore mansion overnight. He then berated and insulted her "Answer How Does Joe Clark Use Ethos In Lean On Me, you ball-busting, castrating, son Free L-Tryptophan Case Summary a cunt bitch! A Why Human Beings Go To War Analysis one is best. She was forced How Does Joe Clark Use Ethos In Lean On Me pretend that she was doing 'exercises' and talking with girlfriend Janet when Gerald walked in, heard her groaning, and asked: "You got gut trouble or somethin'? While at Yale, Rory makes the acquaintance Knowledge In Frankenstein Logan Huntzberger and the two Women In Hedda Gabler on a relationship later on. Then she dedicates a good 6 Major Barriers To Effective Business Communication Essay of the video to Spider-Man: Into 4 Oxadiazole Research Paper Spider-Versea movie disadvantages of university a kid dealing with half a dozen mentor figures, all with different roles and methods.

With tears in her eyes and slightly drunk, she put her head on Hermie's shoulder, slowly danced barefooted with him to the tune the film's theme song playing on a phonograph record. Dorothy tenderly kissed him a few times as the phonograph needle reached the end of the record before beckoning him, taking him by the hand, and leading him to her bedroom for comfort; she slowly removed her white slip over her head, prepared the bed, and then removed her bra and panties before they gently entered her bed naked together.

When Hermie left her later that evening, she was outside on the porch in a robe, smoking a cigarette. She gave him a simple "Good night, Hermie" - and that was the last time he saw her. The next day, she left a note to the swelling sounds of Michel Legrande's theme music for Hermie on her beach house door ; he sat down on the porch to read it; she explained in voice-over that perhaps the meaning of the event would come to him in time:. I'm sure you'll understand. There's much I have to do.

I won't try and explain what happened last night because I know that, in time, you'll find a proper way in which to remember it. What I will do is remember you. And I pray that you be spared all senseless tragedies. I wish you good things, Hermie. Only good things. Always, Dorothy. This groundbreaking, acclaimed film by director John Schlesinger was notable for its tale of a romantic triangle. The major characters involved with each other included:. It was the first major motion picture to feature a romantic homosexual kiss on the lips between two male characters, Dr. Hirsch and Bob Elkin. Sweet Sweetback's Baad Asssss Song It caused tremendous controversy for its militancy, under-age sex, anti-white sentiment, revenge-themes, and violence, although it was one of the most important black American films of the decade.

It was exceptional that a vengeful black man after witnessing corrupt police violence and almost beating two officers to death could survive as a fugitive, as happened in the film. The film actually opened in an all-black brothel, where in flashback, in the film's most controversial scene , an underaged, orphaned Sweet Sweetback as a 13 year-old minor played by Melvin Van Peebles' own 13 year-old son Mario was being fed by an older maternal black prostitute. The scene was cross-cut with a quick image of the same character as an adult on the run underneath a city bridge - accompanied with the film's opening title: "This film is dedicated to all the Brothers and Sisters who had enough of the Man.

It also contained an explicit sex scene of well-endowed Sweetback having unsimulated sex on stage in a brothel with poorly-lit full-frontal nudity. The film was supplemented with jump-cuts, experimental lighting, split-screens, freeze-frames, zoom-ins, tinted and overlapping images and montages as it chronicled the successful uncharacteristically flight of the black fugitive with a large-sized manhood and insatiable sexual prowess through Los Angeles - and toward and across the Mexican border.

Vampyros Lesbos , West Germ. Noted as one of the many erotic horror tales involving lesbian vampires that appeared in the early s, this surrealistic, artsy soft-core European exploitation film from prolific, Eurotrash Spanish cult auteur-director Jesus Franco was inspired by Bram Stoker's short story Dracula's Guest. The entire convoluted and indulgent film was a treatise on the duality of dreams and reality. The stylish and surrealistic film was awash with a gaudy red and black color palette, metaphoric insects, and kites. It told about two "vampyros lesbos":.

A passionate femme fatale brunette later discovered to be Nadine was appearing in the erotic dreams of Linda, subconsciously taking her away from her boyfriend Omar Victor Feldman. She imagined herself turned on and kissing the female's body. To the psychedelic jazz-rock soundtrack, Linda with her boyfriend had first viewed dark-haired Nadine dancing naked except for a red scarf in an Istanbul nightclub stage performance where she transferred her clothes to another naked mannequin-like female.

Linda was hypnotically attracted or bewitched by Nadine, and speculated that she was the dancer of her lesbian-tinged dreams. Nadine had recently acquired an inheritance of an estate - as the sole heir of Hungarian Count Dracula and the vampire's immortal bride. Linda was called by her German law office in Istanbul to meet the Countess on one of the nearby small islands of Kadidados "a place of madness and death" to settle estate affairs. She found Nadine, the beautiful nightclub dancer of her dreams, wearing a skimpy white bikini and large sunglasses while sunbathing!

The two went swimming Linda was naked , and afterwards both sunbathed nude on the beach. After some drugged wine and seduction Nadine stripped Linda naked on the floor , Nadine bit Linda on the neck and drank from her blood. When Linda awakened, she saw Nadine floating naked and drowned? After being institutionalized and a few more instances of neck-biting, Linda decided to end the spell put upon her and pierced Nadine through the eye. Nicolas Roeg's highly-respected tale was a controversial coming-of-age saga, due to its full-frontal nudity of star Jenny Agutter. About five minutes of the original film were cut from the expurgated US version of the film when first released. The film was originally rated "R" but reduced to a PG-rating upon appeal.

In the shocking opening scene during a picnic, a suicidal Australian businessman John Meillon tried to murder his teen-aged, 14 year-old schoolgirl daughter 17 year-old Jenny Agutter in her film debut and six-year-old son Lucien John in the bush and then committed suicide in front of them. The two British schoolchildren were now stranded and forced to adapt to the harsh climate of the Australian outback.

They were fortunately saved when aided by an adolescent Aboriginal Black Boy David Gumpilil , who was involved in his ritualistic 'walkabout' to prove his manhood and mark his entrance into adulthood. After overcoming self-consciousness and civilization's social conventions, the Girl engaged in a lengthy nude swim in a natural lagoon pond with non-gratuitous full frontal nudity - a symbol of her sexual awakening, although this would lead to tragic circumstances for the older aboriginal boy. During the native aborigine's 'walkabout' - with a painted skeleton on his body - he performed a silent, ritualistic mating dance for the civilized, repressed girl at a deserted farmhouse, where he glimpsed her half-undressed.

She ignored and resisted his and her own sexual rite of passage, by continuing to treat him as a detached servant -- with disastrous results. After the aboriginal danced all night and became saddened and weary with tears in his eyes , she found him the next morning hanging dead in a mango tree, and she barely reacted to his death. The film ended years later with the young girl now married and returned to civilization, living in a high-rise apartment complex. She was wishfully daydreaming back to her idyllic days in the outback when she happily swam naked with the aborigine and her young brother.

They were long-gone days of paradise lost, reflected in a voice-over quote from Part 40 of A. Housman's 'A Shropshire Lad':. Into my heart an air that kills From yon far country blows: What are those blue-remembered hills, What spires, what farms are those? That is the land of lost content, I see it shining plain, The happy highways where I went And cannot come again. The obscene and subversive film engendered intense criticism and censorship demands, and was banned in the director's own native Yugoslavia. It was reportedly one of the first films to depict full frontal nudity amidst its plentiful nude sex scenes and frank dialogue about free love, masturbation, genitals and orgasm.

The unconventional film drew parallels between sexual liberation, political revolution and US bourgeois militarism, and repressive Soviet-style Communist totalitarian politics. During the title credits of the slapstick, interlocking film composed of collages , some of the film's main characters passed a slippery, fragile uncooked egg yolk from one hand to another before it broke. A sepia-toned kaleidoscopic shot witnessed a nude couple on a blanket in an open field engaged in oral sex with a view of his erect penis before intercourse. A female narrated:. The bioelectric charge and discharge produced by the genital embrace causes the orgasmic reflex - supremely pleasurable muscular contractions. Subjection to social disciplines may cause gastric ulcers, respiratory, coronary and vascular diseases.

Comrade lovers! For your health's sake, F--k freely! The Communist movement fights for the liberation of man's natural impulses and joy of living. Four thousand liberating orgasms in every woman's and man's life are four thousand explosions of liberated life energy. Only by liberating both love and labor can we create a self-regulating worker's society. Body tissue deprived of life energy turns cancerous. Cancer is the hysteria of cells condemned to death. Cancer and fascism are closely related. Fascism is the frenzy of sexual cripples. The swastika owes its magnetism to being a symbol of two bodies locked in genital embrace. It all stems from a longing for love. Comrades, make love joyously and without fear! Let the current flow sweetly up your spine!

Let your hips roll and your mouth water! Saliva is good! Embracing lovers radiate a bluish light, orgone illumination, the same sort of light the astronauts saw in outer space. Let us reactivate the natural vibrations within ourselves and society. Let the currents stream sweetly through your muscles! Feel free to tremble and cry! Let yourself enjoy your body! As revolutionaries whose revolution renounces love, we feel very uncomfortable. What's happening to the revolution? Documentary footage was shown about the early research work of radical psychologist Wilhelm Reich the WR in the film's title and his sexual politics.

Myron Sharaf, capitalizing on her breathing techniques and rhythmic pelvic movement. It then explored the contrasting relationship between two roommates:. Milena denounced the sexual attentions of proletarian worker Radmilovic Zoran Radmilovic , calling him a great example of "proletarian decadence. The viewpoints of Milena and Jagoda were clearly juxtaposed. At one point, Milena emerged onto her outside 3rd floor porch and lectured to fellow communal apartment dwellers within the courtyard, while Jagoda was having sexual intercourse in their apartment. The theme of her radical speech was that there was an obvious linkage between state repression and sexual neurosis. She preached the virtues of orgasmic liberation, free love, enlightenment, and power to encourage true revolution:.

Sex writers foolishly debate which are better: short thick ones or long thin ones. I say it's a false dilemma. You can't trust the media. Joy is what counts. A joyful one is best. Any child must know what's sweetest: The crotch! Our road to the future must be life-positive. Between Socialism and physical love there can be no conflict. Socialism must not exclude human pleasure from its program. The October Revolution was ruined when it rejected Free Love Frustrate the young sexually and they'll recklessly take to other illicit thrills: Pilfering, burglary and assorted crimes, knifings, alcoholism, political riots with flags flying, battling the police like pre-war Communists!

What we need is a free youth in a crime-free world! In the audience, Radmilovic cried out: "Gentlemen, in our Democracy, everyone is entitled to a doughnut. Some get the doughnut, others get the hole in the doughnut. It would seem that the main problem is the hole. There's your class-structured society. Males stop being men and turn into common swine! Idiocy is the right word for your condition. You're resigned to your social and sexual misery! You beasts! You screw drunken whores in toilets! You're under-payed! Your wives and children have no respect for you f--kless fools! You've taught your children that sex-play will rot their spines! No excitement can ever equal the elemental force of the orgasm. That's why politics attract those of us whose orgasm is sub-standard, defective, disturbed or premature Shame on you!

That's your problem! Real men know how to live their lives without asking anyone's permission. Sweet oblivion is the masses' demand! Deprive them of free love, and they'll seize everything else! That led to Revolution. It led to Fascism and Doomsday. The bloodstream orgasm of the alcoholic, or the junkie! The cerebral orgasm of dogmatists or religious mystics! The muscular orgasm of compulsive workers, athletes and artists! Deprive youth of their right to the sweet electricity of sex and you rob them of their mental health! Children and youth are entitled to the happiness of the genital embrace! Back to our own, our true human nature! Freedom for the individual is freedom for all! Some of her listeners joined her in forming a dance line around the apartment's 3rd floor terrace - while repeating her words in song.

Documentary footage intercut the sequence with a collage of interlinked images:. When he came to her apartment, her roommate Jagoda flaunted her nudity to attract attention, and thrust her left nipple and breast in his face when Milena offered cookies and a drink: "And how about some milk? The unfortunate Milena's seductive quest for sexual freedom, fulfillment, love and the ultimate perfect orgasm with Ilyich ended after a passionate kiss. She was violently beheaded by the sharp blade of the Soviet skater's iceskate off-screen - he couldn't control the liberating force of his own repressed orgasm.

Afterwards, her decapitated, disembodied head was placed on a white lab tray. The lab worker and coroner discussed that her death was probably the result of "a wild night of love" because there were no signs of a gang-bang or rape, and that she had accepted semen willingly. Miraculously, she began talking about the cosmic joys of their orgasm, and her continued love for Vladimir:. Cosmic rays streamed through our coupled bodies. We pulsated to the vibrations of the universe. But he couldn't bear it. He had to go one step further. Vladimir is a man of noble impetuousness, a man of high ambition, of immense energy. He's romantic, ascetic, a genuine Red Fascist! Even now I'm not ashamed of my Communist past! The film ended with Vladimir wandering around with bloody hands and singing, while Milena's smiling face dissolved into Wilhelm Reich's face.

The other portions of the film, almost like a mockumentary, followed a group of libertines in New York City, filmed in docu-style 16 mm. The inter-cutting segments included the following:. All rights reserved. Filmsite: written by Tim Dirks. Search for:. Facebook Twitter Email. The History of Sex in Cinema. McBurney soon learned that the Gothic atmosphere in this matriarchal society was one of sexual repression, deceit, jealousy, and power struggle between a triangle of females vying for his love, attention, and sexual favors: Martha Farnsworth Geralding Page , the sexually-frustrated headmistress of the Southern girls' school, lesbian-leaning, with a scandalous past including incestuous relations with her deceased brother Edwina Dabney Elizabeth Hartman , virginal, to whom Martha was attracted Carol Jo Ann Harris , a 17 year-old student, flirtatious with McBurney The manipulative McBurney known as Mr.

The Big Doll House The vogue in the early 70s were low-budget sexploitative women-in-prison WIP films, such as this early and influential one by director Jack Hill, with the requisite nudity, violence, feministic attitude and lesbianism, and social grittiness. The film's tagline expressed its main theme: "Their bodies were caged, but not their desires. Female Inmates. Marni Collier Judith M. Helen Grear Pam Grier. Karen Alcott Roberta Collins. Harrad Brooke Mills. Marni's Judith M. Billy Jack This martial-arts grindhouse film with a non-Asian lead title character actor-writer-producer-director Tom Laughlin , a half-Indian, kung-fu-fighting, ex-Green Beret named Billy Jack, was a commercial success as a low-budget independent film.

It featured a few controversial scenes for its time including two scenes in which bigoted, mean-spirited mayor's son Bernard David Roya intimidated and assaulted two females: Miss False Eyelashes Cisse Cameron, aka Cisse Colpitts in her film debut , red-haired, and brutally assaulted in the front seat of a convertible, when he slit the middle of her bra with a knife to expose her breasts Jean Roberts Laughlin's real-life wife Delores Taylor , the pacifist and idealistic Freedom School founder. In the ugly and realistic rape scene, she was found by Susan Foster, naked with a quick full-frontal glimpse and tied to stakes on some grass before being raped by Bernard with his pal. They had spied on her when she went skinny-dipping in a mountain stream.

Carnal Knowledge This Mike Nichols film with striking adult subject matter regarding the fragile male ego and bravado, dysfunctionality, and misogyny , sexual encounters, and profanity further pushed the boundaries of sex in cinema although the film had little in the way of explicit sex. The film itself was an intense character study as it chronicled the sex lives of two friends: Jonathan Jack Nicholson , a predatory male Sandy singer Art Garfunkel , naive It followed their difficult initiation into sex "scoring" with coeds during their s student days at Amherst with among others, Candice Bergen as the pretty and intelligent Smith College student Susan whom they both dated.

In one of the boldest pick-up lines ever, he asked: Carlo: Do you know how many people are together right now making love at this very second? Anna Terzi Catherine Spaak. A Clockwork Orange , UK Director Stanley Kubrick's disturbing and controversial futuristic satire A Clockwork Orange was forced to be withdrawn from UK cinemas in after allegations that it was inspiring young people to copy its scenes of violence, including two controversial rape scenes. Alexander Adrienne Corri - to the tune of Singin' in the Rain. Countess Elisabeth Ingrid Pitt. Daughters of Darkness , Belg. Death of Ilona Andrea Rau. Valerie Danielle Oiumet Death of Stefan. The Devils , UK Director Ken Russell's film was a blasphemous, shocking and excessive depiction of the repressive 17th century when sexuality was equated with Satanism - it was an adaptation of Aldous Huxley's "The Devils Of Loudon.

Dirty Harry Director Don Siegel's sensational film was a seminal vigilante film of the decade, appealing especially to male audiences because of its overt violence and occasional glimpses of full nudity. Stripper Nude Lolita Rios. Jekyll and Sister Hyde , UK This Hammer Studios sci-fi horror film took advantage of the title of the familiar Robert Louis Stevenson tale about a Victorian London doctor with a dual personality, and teased with this warning: "The sexual transformation of a man into a woman will actually take place before your very eyes.

Hyde Martine Beswick. Drive, He Said During the "New Hollywood Wave" of films, actor Jack Nicholson directed and scripted this R-rated basketball drama that was loosely based upon Jeremy Larner's novel of the same name. It was a story of two dormitory roommates in the s in Ohio: Hector Bloom William Tepper , a disaffected Ohio University basketball star; he was engaged in an illicit affair with Olive Calvin Karen Black , the faculty wife of Ohio University professor Richard Robert Towne - in one scene, he humped her from behind in the interior of his cramped car; he ambitiously aspired to be a pro player although he experienced ambivalence and mood swings and did not behave or act to his full potential , and avoided following the sage advice of his Coach Bullion Bruce Dern Gabriel Michael Margotta , a long-haired, rebellious, militant and troubled political activist with a volatile and semi-psychotic demeanor; a drug-abuser, draft dodger, anti-Vietnam war protestor, and drifter who continually criticized the establishment Hector Bloom William Tepper.

Gabriel Michael Margotta. Locker Room Shower Scene. Friends , UK This R-rated, sexually-frank romantic teen drama and coming-of-age story was directed by Lewis Gilbert. Zoo Meeting. He insists he knows her better than anyone and "this isn't you". The two part awkwardly, though he wishes her a belated happy birthday. Jess's final appearance is in season six in "The Real Paul Anka", where he and Rory meet in Philadelphia at an open house for Truncheon.

Luke also attends and introduces his nephew to his daughter, April, while Jess presses a check on his uncle to pay him back "what's owed. Jess says he's happy Rory came, and they share a kiss, but Rory confesses she is still with Logan. At first, Jess is hurt and angry at being used, but he calms down enough to tell her that he isn't sorry that she came to see him, despite what's happened. Rory later tells her mom she went to see Jess in Philadelphia because he's her friend now. Although the character of Jess does not return again, Luke, Lorelai, and T.

Ventimiglia expressed early interest in Jess appearing in the reboot of the series [10] and later confirmed that Jess will be back. In the revival, Jess appears to be on good terms with everyone. He last saw Rory 4 years prior. He reports his professional and personal life are stable but not permanent. He returns to Stars Hollow to help Luke take care of his mom, Liz, and, while visiting, encourages Rory to write her own novel, after seeing she's lost professionally. He later provides support for Luke when he's conflicted about Lorelai.

He returns to attend the wedding of Luke and Lorelai. He tells Luke he's "long over" his romantic feelings for Rory, but is later shown gazing at her, causing him, and viewers, to wonder if that is actually the truth. Kirk Gleason, played by Sean Gunn , is a quirky and good-hearted but emotionally stunted, very odd man who until later seasons lives with his mother when he's not sleeping on park benches or in other people's RVs. By the end of the fourth season, Kirk reveals that he has night terrors that cause him to go streaking through the town naked when they attend the dry run of the Dragonfly Inn.

In season 2, ep. Sean Gunn appeared in early episodes as different characters. In season 1, ep. Kirk becomes a permanent character in season 1, ep. However, in season 2, ep. Kirk has had dozens of jobs, such as assistant manager of Doose's Market, cashier at the beauty supply shop, delivery man for various businesses, waiter at Weston's coffee shop, various entrepreneurial activities, photographer, assistant at various town functions, DJ, mailman, employee at the Stars Hollow movie theatre, and realtor-in-training. It became a running gag on the show that in every appearance on the show, Kirk would have a different job or would have started a new business venture.

He had a crush on Lorelai for a while, and asked her out in season 3, ep. He started dating his brother's ex-girlfriend Lulu in season 4, ep. Kirk later on tells Luke he's thinking of breaking up with Lulu, and Luke threatens to beat him up Luke's way of saying that Kirk has a great thing going with Lulu, and that breaking up with her would be a stupid thing to do. Kirk and Lulu remain together throughout the rest of the show. In the revival, he and Lulu are still together.

When they began to discuss the possibility of having kids, the town pitched in to get them a piglet that they name Petal. Jason and Lorelai know each other from a camp, where Jason received the nickname "Digger," which stuck. When they met again by chance in early Season 4, Jason soon renewed his acquaintance with Lorelai and began pursuing her romantically. He was persistent in the face of her repeated rejection, and wore her down. They hid the relationship from Lorelai's parents for five months, until the night Floyd informed Richard and Jason that he was suing them because of the clients Jason took with him when he left his father's business - and revealed that he had hired a private investigator to tail Jason.

Richard and Floyd made a deal behind Jason's back that allowed Richard to create a boutique company under the umbrella of Gehrmann-Driscoll, and Richard bad-mouths him to clients and other companies, and Jason finds himself blacklisted. When Jason told Lorelai he was suing her father, she broke off their relationship. Though he tried to win her back, even showing up at the Dragonfly Inn on the night of its test run, Lorelai had already moved on to a relationship with Luke Danes. That night, to get Jason away from the Dragonfly Inn, Sookie and Michel call his cell pretending to be somebody else and tell him his condo is on fire so Jason leaves to go see his home.

Born in , he is heir to the Huntzberger Publishing Company, a national newspaper conglomerate. The family was modeled after New York Times publisher family, the Sulzberger family. His father seems to view him more of a commodity than a son. His mother has expectations and wants him to marry a trophy wife, even though she doesn't come from money herself. He has an older sister, Honor. He attended many prestigious prep schools, most of which he got kicked out of for the stupid pranks that he played, in the Massachusetts area including Rivers, Groton, and Andover, where it is speculated that he had graduated from.

Logan first appears as a traditional chronic ladies man who is more interested in partying than studying. Logan appears to be very well read and versed in pop culture, as he understands most of the references Rory throws his way; and even though he prefers a good time, he does have a talent in newspaper writing and has a vast knowledge of journalism. Due to his wealthy upbringing, he is well traveled, and seems to enjoy heavy drinking and dangerous risk taking. His two best friends are Colin and Finn, both of whom are rich, party loving guys like himself. Logan first encounters Rory when he and his friends pass by her and her friend Marty.

At first, Logan's friends tease Marty and pay little attention to Rory. However, when Logan meets Rory again in the hallway of her dormitory, she takes the opportunity to lecture him on his treatment of Marty. Logan continues to debate with her and promises that he will remember her instantly the next time they meet. Rory's first impression of Logan is not very favorable, viewing him as a typical lazy rich boy. However, she goes to him when she needs help on an article about a secret society that Logan is in, called the Life and Death Brigade. She is fascinated by the club and is convinced by Logan to take a dangerous jump off a tall structure, causing Rory to reconsider her initial impression of him. Logan eventually winds up comforting Rory at a party after her break-up with Dean.

Rory soon develops a crush on Logan, and while Logan has feelings for her too, he makes it clear he is not a commitment guy, so they agree to a no strings attached relationship. During their relationship, there are signs that both want more, and Rory eventually decides the relationship is too much for her, so she tries to end it. However, Logan takes this as an ultimatum, and agrees to a monogamous relationship. Despite family members disapproval and Rory dropping out of Yale, their relationship continues until a break-up in season 6. Logan was threatened by the return of Jess in season 6, even more so when he found out that Jess and Rory had been "high school sweethearts".

He treated Jess the same way Jess treated Dean in the past, but wound up alienating Rory further as Jess simply walked away. After Rory argued with Logan about his behavior towards Jess and the aimlessness of their life together, they decided to "take a break". However, Logan saw this as a break-up and proceeded to sleep with his older sister's friends for comfort. Logan attempted to make amends through grand gestures, which included purchasing a coffee cart and barista for Rory's own personal use. Rory accepted the gifts but didn't give in until Logan went to Lorelai for help. He convinced Lorelai that they both had something in common causing Lorelai to agree to help him.

Lorelai wrote a letter, and Rory agreed to give Logan another chance. Rory and Logan moved in together after Paris kicked Rory out because she was mad that Rory was made editor of the paper after Paris was ousted from the position by the newspaper staff. They also go to Martha's Vineyard with Luke and Lorelai. Luke, who has been aloof around Logan, looks at him in a new light when he helps Luke with a Valentine gift for Lorelai. All is well until Rory finds out about his sleeping with his sister's friends during their breakup just before Honor's wedding. After she finds this out she misses Honor's wedding and breaks up with Logan which he takes very badly.

She later gets back together with him. Christopher Hayden, Lorelai's ex-husband and Rory's father, played by David Sutcliffe , first just past midway through season 1, episode 14, "That Damn Donna Reed," as an introduction to the next episode "Christopher Returns. Rory is thrilled, but Lorelai is reserved. He lies that his business is doing well, but cannot buy a book for Rory without his credit card being declined. The tension and chemistry between Lorelai and Christopher is apparent throughout Chris' visit and Rory begins to hope that her parents might get back together.

Things go fine until Lorelai's mother, Emily, finds out that Christopher is staying with the girls and decides to throw a dinner party with Christopher's parents. After an argument between the grandparents, Lorelai and Chris seek seclusion from their families on the balcony supposedly the site of Rory's conception. They have sex, which Lorelai almost instantly regrets. The next morning Chris asks Lorelai to marry him, but she says "no," believing that he is not ready for the responsibilities of being part of a family. Christopher reappears during season 2 when he is invited to escort Rory at her coming out party and brings her a copy of the book he tried to buy before as a gift.

While in town, he proves that he is more capable of settling down than before, having found a steady job as a consultant for a computer company in Boston and a Volvo. Sherry and Christopher come to a debate of Rory's and the girls, a little blind-sided, decide that Sherry and Rory should spend some time together bonding, while Christopher joins Lorelai at their Friday night dinner. Emily is mad that Christopher gets his life together for someone other than Lorelai and treats him rather coldly at dinner.

Christopher then appears when Rory breaks her arm and is the support Lorelai needs. At that point, Chris and Sherry have broken up as have Lorelai and Max, so Christopher and Lorelai agree to try to be a couple. Their happiness is cut short when Christopher gets a call from Sherry saying that she is pregnant. Lorelai and Rory are mad at Christopher and estrange themselves from him. Rory begins to secretly converse with her father after a few months have passed and both are present at the birth of his daughter Georgia, aka Gigi. Christopher misses Rory's high school graduation because of work. Christopher does not appear in season 4.

In season 5, Lorelai comes to the rescue when Christopher calls, needing help with his baby daughter, Gigi, after Sherry has left him for a job in Paris. Lorelai is in a happy relationship with Luke at this time. Rory does not want Christopher messing up that relationship, so she tells Chris to stay away from Lorelai. When Christopher's father dies, both Lorelai and Rory realize that he is lonely and that he needs contact with both of them. At Richard and Emily's vow renewal, after being manipulated by Emily before hand, a drunken Chris lashes out at Luke, saying that Lorelai belongs with him and not Luke.

Christopher causes drama between Luke and Lorelai as Rory had feared. Luke did not know that she was still in contact with him and becomes very hostile. Lorelai and Luke split temporarily because of this. In season 6, Christopher has inherited much money from his recently deceased grandfather and asks Lorelai and Rory if there is anything he can do as something of an apology for all his years of neglect. Christopher ends up paying for Rory's Yale tuition thereby upsetting Emily, who thinks Rory and Lorelai will no longer stay in touch.

After they assure her that isn't the case, she and Richard are very happy that Christopher is more involved in Lorelai and Rory's lives. An episode deals with how much Christopher spoiled Gigi. Chris goes with Lorelai to Lane's wedding and Lorelai gets very drunk and makes an embarrassing speech about never marrying Luke. In the Season Six finale, Lorelai gives Luke an ultimatum to marry her and when he says he doesn't like ultimatums, she breaks up with him. In the last scene, a distraught Lorelai goes to Christopher for comfort and, in the season-ending cliffhanger, is seen waking up in Christopher's bed. Christopher and Lorelai begin dating. When Sherry sends a letter saying she has changed her ways and would like Gigi to visit her in France, Christopher invites Lorelai to accompany him.

In Paris they have a romantic time and Christopher impulsively proposes to Lorelai, and they get married in Paris. Christopher and Lorelai's relationship becomes strained again when Christopher says that he wants to have children, but Lorelai said she isn't ready for that now. One night on his way home, Chris gets into a fist fight with Luke, from which neither one emerges the victor. In the end, Lorelai realizes that she has never stopped loving Luke and cannot remain married to Christopher. Christopher makes a final appearance at Rory's college graduation, where he and Lorelai appear to be on good terms.

In the revival, Christopher has taken over the family business. His younger daughter lives in France presumably with her mom and he's involved with a woman. He tells Rory he thinks Lorelai was right to raise Rory alone, but maintains he always loved Rory. Jackson Matthew Belleville is played by Jackson Douglas. Although Jackson's name has regularly been "Melville" mentioned specifically in season 1's "Christopher Returns" ; there are several episodes most recently season 6's "Always A Godmother, Never A God" where it has been "Belleville".

The discrepancy is unexplained. Jackson is Stars Hollow 's preeminent produce supplier. He takes great pride in providing a top-quality, organic and pesticide-free products to his customers. Sookie is even more particular about her ingredients than Jackson is, and they frequently argue over the quality of the food. Shared passions and mutual attraction led them to start dating during the first season, and they were married in an outdoor ceremony at the Independence Inn during season 2, ep. Jackson's father was best man, and pressured Jackson into wearing the same kilt that his father and grandfather had worn at their weddings.

Lorelai and Rory were bridesmaids. Jackson has a very large family, including his cousin Rune, who went on a disastrous blind date with Lorelai and stayed with Jackson for a while, until he overstayed his welcome. Sookie begged Lorelai to give him a job and lodging at the Independence Inn, and she hired him as an incompetent handyman. Born season 5, ep. His Christian family denomination unknown pressured him into baptizing both children at the local church. When the family showed up for the baptism, his mother informed him that he, himself, had never been baptized, and pressured him into going through with the ceremony at the same time as his children.

Rory is godmother to Davey, and Lorelai is godmother to Martha. Martha has so many middle names because Jackson had originally planned to have more children. When he and Sookie agreed to stop at two, they decided to use all of the names Jackson planned to use on future children as Martha's middle name s. In episode 7. Jackson has a tendency to be argumentative and is very protective of his wife, and his plotlines often involve chasing down various members of the Stars Hollow community who have unwittingly wronged her. This usually occurs when Sookie is in a hormonal pregnant state. Much of the comedy of Jackson's character comes from his outrageous reactions to seemingly mundane events.

Jackson successfully ran for town selectman , defeating Taylor Doose , though Jackson realized he did not want the job and resigned. He is also a notorious fan of band Creedence Clearwater Revival , and the show frequently references them. Notable aspects are her Seventh-day Adventist faith and her vegan diet. She has read the entire Bible in one sitting "just three times", as revealed in season 3. Kim is owner of Kim's Antiques, which has a "you break, you buy" policy. Kim also rebelled against her mother: Mrs.

Kim is a Christian while her mother is a Buddhist, as revealed in season 6. She appears in every season of the series. Kim raised Lane with strict and conservative Korean standards, which often led the outgoing and outspoken Lane to hide several leisure activities from her mother, most notably listening to rock music and becoming a drummer in a rock band. She sent Lane to a Seventh-day Adventist college instead of a state university, believing that she would get all the education she needs from there. In season 4, Mrs. Kim discovers Lane's collection of CDs, hidden in the floorboards of her bedroom, as well as colorful clothing and other items of which Lane knew her mother would disapprove.

Lane asks Mrs. Kim for more freedom while continuing to follow her rules while living at home, to which Mrs. Kim objects, telling her that she can live like that some place else. This leaves Lane no other choice but to move out, resulting in much emotional turmoil for them both. Kim later hosts a Korean exchange student and evidently turns her into a new daughter that will obey her strict and conservative standards, but Lane soon influences her to not believe everything her mother says.

Although it was hard for her at times, Mrs. Kim came to accept her daughter's lifestyle, and later gives her blessing to Lane to marry Zack, her boyfriend and longtime bandmate. When Lane and Zach returns from their honeymoon, Lane falls ill; they suspect food poisoning, but later discover she is pregnant with twins. Lane fears her mother will officially disown her, but Mrs. Kim gives them her blessing again and quickly decides that they will move back in with her. Lane and Zach ultimately don't move in but Mrs. Kim baby-proofs their house, signifying that she accepts them fully. Kim's husband, Mr.

Kim, is never seen. Lane does, however, specifically refer to her father when her parents plan to send her to Korea indefinitely in season 2, and Mrs. Kim mentions him briefly when reminiscing about her wedding night in season 6. He then attempted to attract her, consequently upsetting her classmate Paris , who had a crush on him dating back since childhood. Louise, one of Paris' best friends, later refers to her as "Mary" but saying "Not virgin, Typhoid" when she and Paris believe that Rory is going with Tristan on a date to a concert. In "Rory's Dance" he became something of a romantic rival to Rory's first boyfriend, Dean , trying to ask her to a dance and then picking a fight with Dean, who had escorted her instead. During a short-lived breakup with Dean, Rory and Tristan kissed at a party "The Breakup, Part 2" , causing her to burst into tears in emotional confusion.

Tristan later asked Paris for a date "The Third Lorelai" , on Rory's advice to find a different type of girl than the kind he usually dated, though he decided afterward that Paris was not his type. In the season-one finale "Love, Daisies, and Troubadours" he caused friction between the two girls by lying that Rory had accepted his invitation to a concert, but after watching Rory's passionate reunion with Dean, he walked away alone. Tristan appeared for the last time in a second-season episode "Run Away, Little Boy" in which he fell in with a group of troublemakers pulling pranks throughout the school and shirked off his studies, much to the anger and dismay of Paris, who needed him as Romeo in a class Shakespeare project.

After spending the week torturing Rory with veiled threats to reveal their one-time kiss to Dean, Tristan found himself forced by his father into a military school in North Carolina after the pranks went too far, thus leaving Paris to be the Romeo to Rory's Juliet. Before he leaves, Tristan says he would've kissed Rory but Dean was right there. His last words on the show were; "Take care of yourself Max Arthuro Medina, played by Scott Cohen , was a recurring character in Season 1, and made guest appearances in seasons 2 and 3.

He was Rory's English teacher in her sophomore year at The Chilton School, and he went on to become romantically involved with Lorelai. Max met Lorelai at a parent-teacher meeting "The Deer Hunter" , where he assured Lorelai that Rory was a fine student and person who would do well in her new school. However, when Rory subsequently overslept and arrived late to his class after studying all night for her English exam, Max initially refused to allow her to take the test, thus incurring Lorelai's wrath.

After some initial coldness in a later encounter at a school bake sale , Lorelai agrees to meet him at a coffee shop to talk, away from the Chilton context. Their early attempts to date were hampered by Lorelai's having to cancel in order to attend a wake for her neighbor's beloved cat "Cinnamon's Wake" , but later they managed a date when his car broke down in her town and he ended up sleeping on the sofa due to heavy snowfall "Love, War, and Snow". The couple separated and reunited various times — once leading to a kissing session during Parent's Day at the school — before Max proposes in the season-one finale "Love, Daisies and Troubadours". The beginning of Season 2 saw Lorelai accepting the proposal "Sadie, Sadie" , preparing for the wedding "Hammers and Veils" , and then cancelling the engagement after comparing her own lack of excitement to her mother's nostalgic memories of her own engagement "Red Light on the Wedding Night".

He is not seen again that season, but returns to Chilton in Season 3 after teaching at Stanford University for a time; he claims he has recovered from his heartbreak, but a kiss with Lorelai reveals he is not "over" her, prompting Max to decide they should not see each other anymore "The Big One," "Keg! He does not appear again, though he is occasionally mentioned in later episodes. Taylor Doose is played by Michael Winters. Taylor is the Town Selectman for the town of Stars Hollow , and holds a number of other positions in town government and public organizations. He is largely responsible for organizing Stars Hollow's many events and festivals.

He is staunchly conservative and provincial in his thought and temperament. As Stars Hollow's most powerful citizen, Taylor often uses his positions in a rather self-serving manner. He is a stickler for making sure town rules and statutes are followed to the letter. He also has his own opinions about how people should live. Often this brings him in conflict with other members of the community, most often Luke Danes and Lorelai Gilmore.

He also is in charge of the frequent town meetings held at Miss Patty's studio , which he often uses as a forum to air his personal grievances. During the fifth season, Taylor was briefly voted out of the Town Selectman office after Jackson Belleville ran against him for the office. However, Jackson realized he did not want the job, and resigned. He remains single throughout the series and never seems to even date the implication seeming to be his aggressively fussy and self-serving behavior alienates anyone around him. In A Year in the Life, when there are too few people to march in a gay pride parade, several characters strongly hint that he could march in it, though he appears oblivious to their meaning.

Dave Rygalski, portrayed by Adam Brody , is presumably from the Hartford area although his place of residence is never stated. Dave is originally introduced in the episode "Application Anxiety" where he is responding to Lane's "drummer seeks rock band" ad. Dave Rygalski and Lane dated for a while, and when he wished to ask Lane to prom, Mrs Kim quoted Shakespeare at him; which he misinterprets as a quote from the Bible and consequently stays up all night reading the entire Bible to work out if Mrs Kim said yes or no.

When Brody left the show to star in The O. The Rygalski character was inspired by, and named after, the real-life husband of Helen Pai — the show's co-producer, the inspiration for the character of Lane, and whose name is an anagram for the band name, Hep Alien. The real Dave Rygalski shares his namesake's musical hobby and was the inspiration for many of the character's acts of devotion, such as participating in religious activities to please Lane's mother. Marty, portrayed by Wayne Wilcox , was briefly introduced in the season four episode "The Hobbit, the Sofa and Digger Stiles" as a student at Yale who "had an unfortunate experience with a keg and a party and a need to take [his] clothes off and fall asleep in a hallway.

He is also adopted. Pwyll: Yes. I am Arawn. Never My Fault : In the prelude to the Oresteia , Agamemnon tells a weeping Iphigenia it's really Clytemnestra's fault she's being killed, since she fell for the cover story about the marriage to Achilles. Agamemnon : Your mother should have known you weren't Achilles' type. Hyacinthus : [dying from a head injury] No more peanuts for me, stewardess. Loki : I don't think I did anything to warrant that Red : Typical plots include: "How human is a robot? Let's get philosophical! Let's get philosophical 2: Electric Boogaloo ", "We use robots for cheap mechanized labor but now they're sentient and want to be treated like people, so we should probably just kill them before the blender starts getting ideas - Let's get philosophical 3: Tokyo Drift ", and the big favorite "robot racism", also known as: " Let's get philosphical 4: On Stranger Tides.

Red : Let's ask, why is the dragon the iconic fantasy creature? Okay, sorry, I'll stop. Athena : What. Blue : If you got the sense that Lepidus didn't matter, it's ok. Because you're right. He didn't. Red : This whole debacle is such an incredibly apt metaphor for the flaws inherent in the colonial system and how the lust for gold literally blinded them to the true, unique value of the New World, that if I read it in a book, I would have called the writer a hack. Blue: In a shocking twist of fate, Agamemnon is Red: So, Agamemnon. Let me start this off by stating my personal opinion on this famous Greek hero. Child 1: Oh no! Murder is happening! Child 2: How unfortuitous! Red : So if you're keeping track, that's an exhaustive life story note the monster's life story inside another exhaustive life story note Victor's life story that poor Captain Walton is transcribing in its entirety to mail to his sister.

Red: Just like his creator, the monster spends an inordinate amount of time waxing eloquent about how all that horrible stuff he did really hurt HIM , and isn't THAT the important thing to consider right now? The Monster: You think it was easy for me to ruin Victor's life? I'm not a monster , I have feelings too! Walton: Yeah, I'm sure Clerval would be so sympathetic. Dionysus: You got me, I thought it was foolproof. Zeus : Aphrodite, you silly girl! What were you doing out on the battlefield?

Red : Tolkien 's crippling arachnophobia didn't die for this. Blue : It's just so infuriating and primitive to have two different sets of units for the exact same measurements! Gosh, could you imagine? Blue : Oh no, don't tell me - their highly efficient yet terrifyingly fragile infrastructure totally collapsed when changes to climate made it impossible to reliably provide resources!

Blue : The Sumerians attempted to build a wall to keep out western barbarians, but that went about as well as it always does. Villain : You see hero, with my friends at my side I cannot lose. Hero : I call hacks! Hero : Wow, it's weird seeing this from the outside. The giants Well, this is terrible! We have to do something! Adaptational Jerkass : Discussed in the video about king Arthur.

Modern versions of the story tend to villify either Arthur or Lancelot, depending on which side of the affair they support: Arthur is either a scorned husband who's royal duty demands he execute his beloved wife, or a bore who's too busy ruling to spend time with Guinevere. Lancelot is either a breath of fresh air who lifts Guinevere out of her unhappy marriage, or an asshole who slept with his best friend's wife. Guinevere's role in the matter is rarely considered as important.

All Just a Dream : Gets its own video. Red even offers a theory as to why this trope is near-universally hated when used as a Framing Device : namely, that it is essentially a low blow aimed straight to the Willing Suspension of Disbelief. After the reader have put in the work to invest themselves into a fictional work, suddenly reminding them within the confines of the story that it is all fiction and none of it ever mattered is frustrating to hell and back, and it requires some seriously good execution to not just leave the reader with a bad taste in their mouth. The definition of hero constantly fluctuates depending on social values pointing out how, for instance, Captain America stayed an Ideal Hero despite going from perfect model soldier in wartimes to maverick challenging authority in the name of his own values in a more peaceful age, or how Classical Mythology would set a guy as antiheroic simply for favoring brains over brawn ; and with it, so does its opposite number, the anti-hero.

She tries to design a chart based around motives and methods, only to point out that this reasoning puts The Punisher , usually the example of an Anti-Hero , as a straight-up Villain Protagonist. In the end, this is ultimately more of a subjective label set by the readers than a true archetype. Red: If you're writing a character Maybe they'll be seen as an Anti-Hero , maybe they won't. Maybe anti-heroes just don't mean anything. Language is made up anyway.

Instantly kills whoever messes with it. Again, usually villains-only Kind of a basic karmic punishment Renders the whole race for the Macguffin retroactively pointless. She defines this trope as something that drives the plot by being wanted, and solely by the fact that people want it; it could be replaced with anything else and the story would barely change in fact some examples, like the briefcase from Pulp Fiction , never even show what the item is. If it actually does something for the plot, then it's not a MacGuffin. For instance, she contrasts the Unobtainium from Avatar , which has a theoretical use , but that use is never relevant and it only matters as the source of the central conflict, and the One Ring , which factors very heavily into the story by its nature and not just because characters are fighting over it.

Magnificent Bastard : She covers "Magnificent Bastard" in an episode. She also briefly discusses some of the offshoots of this trope: the Jerk Sue , the Villain Sue , and the Possession Sue. Red posits that the mentor is prime Character Death fodder because not only having a character around that's both a crutch to and more competent than The Hero is not a good idea, they are also often SatelliteCharacters with little personal arc beyond their relation to their pupil; making them quickly irrelevant as the story progresses, and thus allowing them to be killed off for emotional impact with little damage to the story's potential.

Then she dedicates a good third of the video to Spider-Man: Into the Spider-Verse , a movie about a kid dealing with half a dozen mentor figures, all with different roles and methods. Red states that a better use of this trope is when there is truth to the villain's words. Obfuscating Stupidity : Red brings this up as a subtrope of the Crouching Moron, Hidden Badass ; "Fakers" like Vash the Stampede or Himura Kenshin are badasses that pretend to be morons for personal reasons like trying to distance themselves from violent pasts or for just liking to goof around. Our Dragons Are Different : Red talks about dragons in Trope Talk: Dragons , where she discusses both the mythical origins of dragons, including the extremely common theme of a draconic or serpentine monster being fought by a storm deity, as well as their uses in modern media.

Firstly, she identifies and discusses a number of common types of dragons and of narrative themes they tend to be matched with: "Apocalyptic dragons" are disproportionately huge creatures, often based on mythical entities such as Tiamat or the Leviathan. They're plot devices more than characters and tend to be relegated to the backstory or epic end-of-story battles — unless it's a Kaiju movie, in which case they're gonna be central parts of the story. She uses a picture of Ancalagon , who's claim to fame is being larger and heavier than three mountains the size of mount Everest.

They are usually mentor figures, distant protectors or imparters of missions and information, and don't usually figure as central characters. This may be used to explain where half-dragons come from, and it's not uncommon for a villain to turn into a dragon during a final confrontation. Draconic curses are a similar concept where someone is quickly or gradually turned into a dragon, and tend to be inspired by Fafnir. Often, this is a karmic punishment for extreme greed. Sometimes the transformation is more mental than physical.

Dragon Hoards draw from both Germanic and Greek myth, and although they fell from favor in the middle ages they're extremely common in modern fiction. A dragon's motives for hoarding treasure vary based on its characterization and intelligence. Dragons kidnapping damsels got into its stride in the middle ages, as the usual motivation for dragonslaying — getting the dragon's gold — was seen as too base and greedy a motivation for a noble hero, so a more righteous goal was substituted. Nowadays it's seen as very cliched, so it's typically inverted, subverted, and otherwise messed around with. Non-evil, misunderstood dragons are increasingly popular. Intelligent ones can usually be talked to in order to get their side of things; more animalistic ones requite more careful handling.

Dragon Riders are a very recent development, and were by and large invented by Anne McCaffrey for her Dragonriders of Pern novels. These dragons are noble steeds, sometimes intelligent and sometimes not, and have become popular on the basis that dragons are awesome and, ergo, riding one makes you awesome as well. She also analyzes the weight and importance stories tend to give to dragons and the sheer breadth of different shapes, traits and characteristics something can have while still being a dragon — overall, "dragon" as a term is much more flexible than other mythical creatures, which vary only slightly from their base form before not reading as that thing anymore, and is more of a loose category bound by certain common themes rather than a single specific thing.

The only thing dragons really share, besides being at least somewhat reptilian, is being very powerful, very important and usually very big. Modern fiction's occasional use of tiny, weak dragons is almost always a deliberate subversion of a well-known expectation. The main reason fantasy uses dragons as often as it does is because dragons are an universal element in many stories throughout the world, while most fantastical creatures are limited by their geography, and because of the sense of gravitas and importance that dragons carry with them in modern culture.

The Paragon : Red actually loves seeing The Paragon in stories because they facilitate character growth on those around them.