Movie Clip Analysis: Chicken Run
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Chicken Run (Political Oppression)
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The police officer shoots him, thinking his gun is loaded. Peary describes the conditions that led up to the overall troubles in Rebel Without a Cause: In the police station at the beginning of Rebel we see a March of Dimes poster on a pole. This is a film about juvenile delinquency, but from this poster we see immediately that director Ray is on the side of all kids—who have all sorts of problems to contend with including diseases that usually strike the young. More that any other film, in fact, Rebel sympathizes with youth. These middle-class teen-agers have more complex problems. As the title states, their causes are impossible to define. Jim does not have the sense of security that a child in a functional family would have.
As an example of his family not addressing serious issues, they move from town to town leaving at the first hint of difficulty and not allowing for healthy problem solving. The thematic conflict that Jim must grapple with is the absence of a secure family home life that he so desperately needs to counteract the outside world in which he is vulnerable. Jim: No! Father: This is news to me! Why are we moving? Mother: Do I have to spell it out? Once Jim can articulate his own theory on why his family is dysfunctional to his parents, he has done all he can do to try to reach them. Jim lacks the experience necessary to deal with the problems facing him. Jim: Your father! Plato fires at Jim. Jim leaps at Plato with a cry and knocks him down. Jim: continuing; in rage You crazy nut!
You crazy, crazy nut! As an example of how Jim uses the future as the standard to judge the degree of his concern, at the start of the story Jim has no friends, however, as he falls in love with Judy he assures her that they will never be lonely again. Jim is a sensitive, vulnerable, and rebellious youth. You have to get to know him. He is attracted to Judy, the girl next door and girlfriend of Buzz, the leader of the pack. To gain acceptance within the gang, he must engage in dangerous pursuits. He is intelligent enough to question potential trouble, and looks to his father for advice. Frank Stark is too ineffectual a man to be of use to his son, leaving Jim feeling alone and disassociated from his family.
When tragedy occurs at the chickie race between Jim and Buzz, Jim, Judy, and Plato—a misfit Jim has befriended—band together. Jim is protective and fatherly toward Plato and sensitive toward Judy. Plato, in his unbalanced state, shoots Jim with the gun he has carried around to protect him when he thinks Jim has failed him as a parental figure. Plato is inadvertently shot, and as Frank comforts Jim, the teen-ager is finally able to depend on his father for support. In the past, Jim has been in trouble for fighting. This is the ostensible reason why his family must move from place to place.
Frank is entrenched in a fixed way of thinking. He takes the position that what works for him in one situation holds true for another in the same situation. When the juvenile officer refuses the gift, Frank continues to press him until his wife drags him away in embarrassment. For example, Jim comes home to find his father wearing a frilly apron while cleaning up a tray of dinner he has dropped en route to serving his wife: Father: I better clean this up before she sees it. Jim: Let her see. What could happen. They look at each other a moment then Jim goes to his bedroom.
The father goes back to mopping up the mess. An example of this conflict occurs when Jim informs his parents of the fatal car accident: Jim: Dad? Father: Son—this is all happening so fast— Jim: You better give me something, Dad. You better give me something fast. He stops as he sees the emptiness in them. Frank fails to set meaningful boundaries for Jim every time his son tests him. You must have had a reason. Was it because we went to that party? Stern 13 Another example is when Jim asks if he is going to stop him from heading into trouble. Trust me. Frank does not act on his intuition that his son needs his immediate help.
Yet he skirts the issue, and his waffling sends Jim right out the door. Once Frank is able to realize his own worth, especially as a parent to Jim, he can stand up for himself and his son. Ginger knows she is perfectly capable of escaping the farm for herself easily but she chooses to escape with her friends by her side. As well as her caring nature she is also quite sassy and possesses a no-nonsense attitude. She doesn't take flak from anyone, shown especially when she initially meets Rocky. Her assertiveness makes her an excellent leader and coordinator to the hens. Initially, Ginger was very excited to be meeting Rocky because she had been feeling down about all her failed escape attempts. Once she saw him "fly" over the farm fence she gained her motivation back immediately.
She saw him as a "miracle" and wholeheartedly believed he would help her greatly. On the other hand, Rocky did not show Ginger much respect at first. When asked nicely if he could help train the hens how to "fly", he flat-out kept refusing and showed a sudden switch in personality. While everyone else had fallen for his charms and good looks, Ginger saw his more rude and selfish nature. After learning he was from the circus, Ginger began behaving more snarky towards him in response to his constant wisecracks.
Progressing through the story, Rocky was shown to slack off a lot much to Ginger's annoyance. He was taking advantage of the deal she had made with him and wasn't at all worried about the hens' life or death situation. He was also shown to be a excellent liar, seen when negotiating with Nick and Fetcher while promising them eggs in return. His lying nature mirrors Ginger's value for honesty and trust. Rocky sees Ginger as too serious and a big stick-in-a-mud, while Ginger sees Rocky as careless and selfish. They grew a disliking for each other. When Ginger gets captured by Mr.
Tweedy to be put into the pie machine, all of the hens go nuts as their main source of ease and control is suddenly gone. They immediately look to Rocky to save her. He infiltrates the machine and chases after Ginger, who is massively relieved that he had arrived. After helping her escape, Ginger praises him greatly and gives all the credit to him for stopping the machine, even though she also briefly saved him too in the process. The roof scene is where Ginger and Rocky's relationship kindles.
After the party and rescue, Ginger feels more open around Rocky and is comfortable with sharing her feelings. She mentions that she thanks him for saving her and everyone's lives by simply being here, and talks about her dreams of going over the fence. Rocky feels nervous about sharing his feelings and is flustered with his words, which is very different to how he talked to Ginger initially. He grows a heart for her and all the hens and had stopped calling her derogatory nicknames like he had previously done.
Later, Ginger eventually discovers he cannot fly but rather the act he saw before was only him being shot out of a cannon. Rocky had quickly left beforehand to avoid facing her and breaking her heart. This has great impact because it builds up tension quickly and the audience is wondering if he will fall. The opening of Xmen starts with a close-up on an eye; this gives a startling effect because an eye is a strange object to focus on. Throughout the trailer the image of an eye reoccurs and this makes the audience think that the film may also be strange and mysterious.
This is an exciting opening which catches the attention of the audience and makes them want to see more. Chicken Run, similarly to Xmen, begins with a close-up, this time on a cartoon chicken. This gives out a humours vibe and m. Most film trailers use sound effects to speed up, slow down, or keep the pace of the advert going. In MI:2 there is very fast loud music which the audience will already probably associate with Mission Impossible whether or not they have seen the first one.
The fast pace of the music helps the advert to switch from clip to clip of the film rapidly, in time with the music. The music also tells the audience that the film is going to be loud and action packed. Other than the music another sound effect is used to switch clips of the film the director uses explosions which are loud and give a sense of danger to the audience. Likewise in Xmen there is also fast music to speed up the pace of the trailer and show that the film will be an exciting movie. The biggest sound effect in this trailer is a pause which has a huge impact on the audience; after listening to quick loud music a pause makes you aware and interested.
In the pause a man speaks, what he says is very important and the director has put his line in a pause to give the line as much impact as possible. The Chicken Run trailer also uses fast action music, but for different reasons than the other two film trailers.
