Famous Great Depression Photograph Essay
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Madame Lancelin became irate and attacked the sisters on the first-floor landing. Christine lunged at Genevieve and gouged her eyes out. Christine ran downstairs to the kitchen where she retrieved a knife and a hammer. She brought both weapons upstairs, where the sisters continued their attack. At some point, one of the sisters grabbed a heavy pewter pitcher and used it to strike the heads of both Lancelin women. In the midst of the rage, they mutilated the bottoms and thighs of the victims. Experts who later responded to the scene estimated that the attack lasted about two hours.
Some time later, Monsieur Lancelin returned home to find the house dark. He assumed that his wife and daughter had left for the dinner party and proceeded to the party himself. When he arrived at his friend's home, he found that his family was not there either. He returned to his residence with his son-in-law at approximately or , where they discovered the entire house still dark except for a light in the Papin sisters' room. The front door was bolted shut from the inside, so they were unable to enter the house. The two men found this suspicious and went to a local police station to summon help from an officer. Together with the policeman, they responded to the Lancelin home where the policeman made entry into the home by climbing over the garden wall.
Once inside, he found the bodies of Madame Lancelin and her daughter Genevieve. They had both been bludgeoned and stabbed to the point of being unrecognizable. Madame Lancelin's eyes had been gouged out and were found in the folds of the scarf around her neck, and one of Genevieve's eyes was found under her body and another on the stairs nearby. Thinking that the Papin sisters had met the same fate, the policeman continued upstairs only to find the door to the Papin sisters' room locked. After the officer knocked but received no response, he summoned a locksmith to open the door. Inside the room, he found the Papin sisters naked in bed together, and a bloody hammer, with hair still clinging to it, on a chair nearby. The sisters confessed to the murder immediately; however, they claimed that it had been committed in self-defense.
During the trial, the sisters protected each other and each confessed sole responsibility for the crimes committed. The sisters were placed in prison and separated from each other. At one point, prison officials relented and allowed the two sisters to meet. In July , Christine experienced a "fit", or episode, in which she tried to gouge her own eyes out and had to be put in a straitjacket. She then made a statement to the investigating magistrate, in which she said that on the day of the murders she had experienced an episode like the one she just had in prison and that this was what precipitated the murders.
The sisters' chosen lawyer pleaded not guilty by reason of insanity on behalf of them. The court appointed three doctors to administer psychological evaluations of the sisters to determine their mental state. They concluded that the two had no mental disorders and deemed them sane and fit to stand trial. They also believed that Christine's affection for her sister was based on family ties, not an incestuous relationship as others had suggested. However, during the September trial, medical testimony noted a history of mental illness in the family. Their uncle had died by suicide, while their cousin was living in an asylum.
The psychological community struggled and debated over a diagnosis for the sisters. After the trial, jurors took 40 minutes to determine that the Papin sisters were indeed guilty of the crime of which they had been accused. Christine was initially sentenced to death at the guillotine , although that sentence was later commuted to life imprisonment. Her condition deteriorated rapidly once they were apart. She experienced bouts of depression and "madness", eventually refusing to eat. Prison officials transferred her to a mental institution in Rennes , hoping that she would benefit from professional help.
After her release in , she lived in the town of Nantes , where she was joined by her mother. She assumed a false identity and earned a living as a hotel maid. This woman died in The sisters are buried together in the Cimeterie Boutellerie in Nantes. The case had a huge impact on the community and was debated intensely by the intelligentsia. Some of his surreal black and white photographs are also shot in European cities. He did a series of photo shoot naming his work Wasteland Illusion wherein he used a male nude body as a foreground and juxtaposed with simple landscape in the background and created an illusion.
His use of double exposure made these pictures even more surreal. The events I have recorded should not be forgotten and must not be repeated. He is an American who is well-known for his war photography. He is also famous for his film on photography and photojournalism. He got wounded while taking pictures, during the year , in Baghdad. He is also known for covering and documenting tuberculosis and how it has taken its toll across countries like Cambodia, South Africa, Switzerland and Thailand.
Nachtwey is popular for his sensitive documentation on certain subjects; he feels for those causes quite strongly, which speaks through his photography. Therefore, he is extremely graphic in his pictures. He uses striking contrasts in his black and white images which is very much relevant to the sensitive subjects he caters to. Besides being a photographer, Diane Arbus was also a writer. Diane Arbus was known for her square, black and white pictures. She also did a few fashion photography for Vogue, but quit commercial photography in and solely concentrated on her subjects of outcasts in the society. She changed her Nikon 35mm camera and started using a twin reflex Rolleiflex to get more square pictures, which was her specialty.
Arbus was known to create a bold familiarity between illusion and reality vs. She used very dramatic lights on her portraits, and one such example of dramatic and other light effects can be the portrait of a transvestite with heavy makeup. She took that picture with a lot of details. Arbus had severe episodes of depression, and was also known to have extreme mood swings.
In the year , she was found dead in her bathtub due to an overdose of barbiturates, which she injected herself to end her life. Born in Budapest, Robert Capa was a 20th century photojournalist. He always emphasized on catching real life moments, rather than studying about the technical details. Capa was famous for his leftist reflection in his works. He prided himself in capturing men, women and children in the middle of crises, especially wars and conflicts. He is famous for his photo essay, Capturing the Truth. He met with a sad end at the age of 40, while covering the first Indochina War, when he stepped on a land mine. I want only to capture a minute part of reality. Supposedly the father of the modern photojournalism, Henri Cartier-Bresson was a French journalist.
He is one of the revolutionary photographers to have adopted the 35mm rangefinder cameras. He passed away at the age of We simply cannot miss out this prestigious name when talking about famous black and white photographers. This American-born photographer was also a well-known environmentalist, revered till date. Their collection is exhibited in the photography department of Museum of Modern Art, New York, even today.
He was known for breaking all the rules in photography. Being a classical pianist and an environmentalist, he showcased a panoramic view of humanistic nature in almost all his photographs, be it a portrait or landscape picture. Winter Storm is one of his famous works. One look at that picture and the viewer can feel the panoramic effect along with the feel of the stormy wind as if it is playing some tunes while passing through the mountains, over the fig trees. Dorothea Lange was an influential American photojournalist. Known for her interests in humanistic emotions, her work surrounds and captures the time frame of the World War II. Lange documented the ethnic groups and their sufferance due to the change of home fronts, displaced families, forced reallocation of families, and workers during the Great Depression.
Shot during the tragic chain of events during the World War II, this photograph is a captured image of a woman with her kids in a camp who must have been relocated by force. Her expressions are a mix of sadness, confusion, helplessness, and anxiety. The natural light which falls on her face makes the expressions more transparent. She created a juxtaposition between human emotions and physical reality.
