The Degradation Of Lust In Shakespeares Sonnet 129

Thursday, March 31, 2022 10:50:34 PM

The Degradation Of Lust In Shakespeares Sonnet 129



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Shakespeare Sonnet 129 - The expense of spirit in a waste of shame

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During the summer of , at age 16, my friends and I departed on a two month trip by car to explore some of the most famous rock climbing areas in the United States. The JCCA is a circuit of indoor climbing competitions which one can enter in order to gain qualifying points toward receiving an invitation to the United States Junior National Climbing Competition. The top three competitors are then invited to be a member of the United States Junior Climbing Team that competes at the World Climbing Competition each year.

The fourth and fifth place competitors are alternates for that team. Becoming a member of that team is dream of most young competitive climbers. Jeff, Ian, and I were living in different cities at the time. Jeff lived in Orlando, and Ian lived in St. Petersburg where I also used to live. However, I had just moved in with my older brother in Gainesville, Florida after my sophomore year in high school in order to go to Santa Fe Community College via my General Education Development Test. In June, we began our adventure. We had everything three guys needed to live out of a car for two months. Our first stop was Atlanta, Georgia. All of the dieting, dedication, and training had us set to reach our peaks at the time of National competition in a few weeks. Unfortunately, I did poorly in the Regional Competition and failed to gain enough points for the invitation to the big competition in Portland, Oregon.

I made a mental error early on in my first climb, and it left me with little chance of reaching the necessary amount of points. We left Atlanta headed for Denver. We were not even quite sure which climbing area to hit first. We had Portland as our goal at the end of the first month. We first decided to try out the boulders at Morrison, just outside of Denver. We arrived about a day and a half of continuous driving. We did not sleep like any other sane people would after such a grueling road trip. We jumped right out of the old, beat up Ford running for the rocks. The boulders there were impressive red sandstone that have enough climbs or boulder problems, as climbers call them to keep us occupied for about half of the day.

My favorite climb there was called Helicopter because at the last move a climber is required to throw his right hand up and out so far that the entire left side of his body swings off the rock with tremendous speed. Our next stop was Rifle, Colorado where the mystical Rifle Canyon lay on the outskirts of this little town. Rifle Canyon is a dazzling display of colors on a canvas of limestone rock. I had never before seen any such coloring.

The canyon was carved by a river, and at some spots the road is only wide enough for one car. The entire structure appeared to be falling on us at all times. It is a polished limestone canyon that has an onslaught of all these crazy little angles. The rock is an overhanging face that threatens to throw your feet off at any second. The climbing there is world renown for its tests at power and endurance. Zulu and The Crew. We met a group of Swedish guys at the base of one wall of Rifle Canyon. They told us a little about their heritage which was fascinating.

At night we sat around campfires and talked about the climbs of days past. As we talked, we sought advice from the other climbers on certain approaches to different climbs because we knew that there was always another way that could be easier. The collection of climbers around campfires was like a brotherhood. I felt like we were all brought together from different parts of the globe to do some hardcore soul searching. I had the feeling of not knowing where to start. I tried to soak up as much knowledge as I could on the unusual climbing style that is forced upon a climber by Rifle Canyon. We left Rifle Canyon to proceed on to Maple Canyon, Utah where we heard there were dozens of cobblestone covered walls with excellent climbing.

Unfortunately for us, our Crown Victoria had transmission problems so we were stuck in the middle of nowhere in a town called Price, Utah. The population of this place was like two thousand people, and there was nothing to do for the three days we were stuck there. We made the best of it by trying to pick up girls at night on the main street of the small town. We hesitantly got a hotel room while we were there because there were no parks for us to pitch a tent nearby. We were all a little short on cash, so the hotel set us back even more.

The whole trip we ate the cheapest possible food we could, so that meant a lot of nights with a hot bowl of Ramen noodles. Our stomachs were put through hell daily, and I got down to a lean one hundred and thirty pounds at the midway point of the trip. I was weighing around one sixty at the beginning. After the car was fixed, we were short on time, so we went to American Fork, Utah instead of Maple Canyon because it was more on our way to Portland. When we arrived at the climbing area, we met these locals who were putting up a new climb. They seemed to be cool guys, and they showed us around to a few walls where there was some really excellent climbing was. At the end of the day, the kids asked if we wanted a place to crash because they knew we were camping.

This Mormon family showed us the best hospitality with dinner at night and breakfast in the morning for the two nights we stayed there. We were indebted to them for their kindness, but Jeff, Ian, and I had a competition to get to that started in a little more than a week. We had to depart from them, but we still keep in touch with the guys every once in a while. The road into Portland, Oregon along the Hood River is one of the most scenic drives I have ever seen. There is an abundance of black, slate-like rock everywhere with windsurfers out on the river challenging the mighty winds that rip through the Hood. Being from Florida, I know about water, and the waves created by the winds on the Hood are like the waves created by tropical storms in the Gulf of Mexico.

It is just a beautiful place to be. Portland is a very liberal town, and we hit it just before the Fourth of July Celebration. The town was crazy with festivities near the waterfront, and there was more alcohol being drunk than fireworks being lit. It was one giant party for independence. During the next couple of days, we ended up skateboarding at Newberry Skate Park and the famous Burnside Skate Park underneath the historic Burnside Bridge. The day of the competition came upon us, and I was stuck in the crowd with the rest of the spectators. I was, however, happy to see all of my friends from all over the country who came together for the event. Both Ian and Jeff did not make it too far in the competition, and Jeff was knocked out first.

We had fun though, and the next part of the trip was the event for which we had been waiting. Now before I got here, I thought the other places were amazing and interesting. With the two largest rock faces in the United States, El Capitan and Half Dome, it is easily the most monstrous climbing area I have ever seen. The rock is very old granite that can be any range of white, grey, and black colors. The waterfalls there are enormous, but the Sequoia trees are by far the biggest trees I will ever see, unless I make it to Redwood National Forest someday. We never trained for a multi-day big wall climb, so we did not have the equipment necessary to climb any one of the routes up El Capitan or Half Dome.

It takes a tremendous amount of equipment to climb those walls because you have to haul everything from your fecal matter to your port-a-ledge with you. A port-a-ledge is a cot that hangs from the rock wall so you can sleep on it while you are on one of these multi-day beasts. We met a park ranger there named Lisa Lopez who is the girlfriend of arguably the best climber who ever lived, Chris Sharma. She was very down to earth and even pointed us to some of her personal favorite climbs.

Yosemite was a blast, but it was a little too touristy for us so we moved on down the road to Bishop, California. The small country town of Bishop was just south of a skiing town called Mammoth. Bishop is the birthplace of the climbing guru, Chris Sharma. It had the hardest boulder problems in the world on this collection of desert patina sandstone. Within five minutes of the city there are about six different climbing areas. The climbs at the Buttermilk and Peabody Boulders were the most famous, and we had seen some of them in videos.

We tore ourselves apart on this super sharp desert rock for about two weeks until we ran out of money. We ended up eating at the A. Gas Station every day because you could get a burger for fifty nine cents. I met a beautiful blonde girl who loved to climb, and she hung out with us about every day. This other guy who we called Texas Tony also became our friend out there, and he took us out to a couple local parties at night. He showed us some great climbs during the day. The climbing there is unique because most of the boulders start out overhanging or inverted, then you must pull a lip of some sort, followed by a finish on a slightly less than vertical face. It was a lot of fun. Our next and final stop was one of relaxation.

On the way there we lost our U-Haul car top off the roof of our car. Unfortunately, it contained most of our personal belongings. We never found it, and we were all limited to one outfit of clothing for the remainder of the trip. We spent a couple of days in San Diego with no work at all. We had climbed outdoors for almost two months, and it was nice to have some recovery.

Our muscles stopped aching, and our fingers stopped hurting. We spent a lot of time playing cards and lying on the beach, while we reminisced about all of the people we met and the climbs we did. We went into Mexico one day to see Tijuana, Rosarito, and Ensenada. We ate at the most unclean restaurant I have ever seen, but with the same twist of fate, it was the best Mexican food ever. This guy took some slow roasted pork and cut it up on a tree stump with a rusted machete and flies were all around him the whole time, even when he rolled up the burrito.

Tijuana smelled so bad that we could not bear it to stay there, but Rosarito and Ensenada are nicer. The beaches were terribly polluted, and it made me very sad to see that one had to walk on the beach with shoes so you would not be cut by a piece of glass or a hypodermic needle. The local Mexicans were doing anything they could to get some American dollars out of us by approaching us on every block trying to sell some homemade jewelry or Mexican memorabilia.

Anyway, back in San Diego, we rested up for the long forty-four and a half hour road trip ahead of us back to Gainesville, Florida. On the ride home, Jeff, Ian, and I, realized that the day to day lifestyles we were living and the drives that compelled us to finish school, get a good job, and be successful put too much emphasis on money. In our rapid paced industrial society, we often overlook the most important things in life. Our lives are like a wall built one brick at a time, and each brick is a different experience, situation, or emotion. If we finish the wall by forgetting the most important bricks at the bottom that got us where we are today, the wall is not strong.

If we cherish every moment and opportunity in life, then the walls that we build are meaningful to us and strong. We remind ourselves of our trip often because it helps us remember that we cannot work our whole lives toward a goal without enjoying the process that got us there. Everyone knows that the adventure of a story is always more exciting and interesting than the ending, and that is why our trip is of great significance to me.

Posted by Rob Baynard. Marlowe and Ralegh: Contrasting views of pleasure. He wants his love to experience all that nature has to offer or more importantly, all that he has to offer. The shepherd is saying that the season of spring will be gone soon, so let us indulge in it. There is an urgent tone used in this poem. He wants the two of them to seize the day. The nymph is not easily taken in by this glorified version of life that the shepherd offers her. She replies to him that:. If all the world and love were young,.

These pretty pleasures might me move. To live with thee and be thy love. Ralegh lines 1 to 4. The nymph starts her argument by talking about the influence time has on people and their feelings. She knows that everything might be great right now, but things change as time goes on. People grow older and uglier, and they also can fall out of love with one another. She also believes that the shepherd could be lying to her about all the pleasures he promises her.

Snow will cover the field, and the flock will have to go into a pen. The setting that the shepherd is describing will be turned upside down. She is talking about the winter and the change in the season. She is trying to show the shepherd that everything changes. Again she throws this problem of time into his plan. At the end of that same stanza she says that his ideas sound good, but they will not last through time. She has a skeptical attitude towards everything he says. As time goes on the shepherd will grow tired of the nymph and forget about how much he loves her.

The fancy clothing that the shepherd offers his love has little affect on the nymph Marlowe lines 13 to The nymph knows that to go with the shepherd because of superficial reasons would be making a big mistake. If the world is unchanging, the pleasures that the shepherd speaks of would not lose there value. She is trying to show the shepherd that her beauty and her ability to procreate will not last forever, therefore love has different needs at different times.

The difference in gender in the poems is not the main reason for the difference in the two positions. The positions taken on both sides of the argument are not gender based at all. The messages sent by both of the poems are more about contrasting viewpoints than love affairs. The messages are universal to anyone and are not limited to a strict male-female interpretation. Ralegh does not produce a believable female speaker because he did not limit any of his response to being a strictly female characteristic. He simply took the contradicting view. He uses a didactic method of taking everything that Marlowe uses to try to win his love and switching it around to show the insignificance of it in the broader picture.

The items that Marlowe and Ralegh talk about are slightly gender related, but they are not necessary to the theme of both of the poems. Although men did wear gowns, skirts, fancy belts and slippers at the time of these poems, we usually associate these things with women Marlowe lines 11 to Men, at the time, wore clothing similar to what the shepherd was offering his love, so even these things are not limited to gender.

The difference in the positions taken by Marlowe and Ralegh are not gender based. One is simply a logical argument against the other. Shakespeare on Controlling Lust. Shakespeare is writing about the effort, pain, and seamen exerted in the immoral act of lust. Lust is not an act of love: it is just about sex. After the act, people see the impurity of the whole situation.

Shakespeare uses the imagery of a hooked fish to describe a person after lust has occurred. The person knows they have made a mistake, but they also know they cannot correct it just like a fish. This also is given another meaning when the couplet comes along. The fish can be thought of as people who are given this hook by God. A fish has an instinct to pursue the food, and people have an instinct to lust.

People do not behave rationally, but they are not capable of rational behavior under the power of lust. When people have this kind of sex it is great but afterwards, it is terrible. The Invisible Man, a brief overview of Ralph Ellison's masterpiece. Ellison's writing could be called autobiographical. His writings are about his life experiences. His first novel The Invisible Man was thought to be about him because there were so many similarities between the main character and himself. The central theme of Ralph Ellison's writing is the search for identity, a search that he sees as central to American literature and the American experience. He has said that "the nature of our society is such that we are prevented from knowing who we are," and in Invisible Man this struggle toward self-definition is applied to individuals, groups, and the society as a whole.

The particular genius of Invisible Man is Ellison's ability to interweave these individual, communal, and national quests into a single, complex vision. In this sense, the book is part of the literary tradition of initiation tales, stories of young men or women who confront the larger world beyond the security of home and attempt to define themselves in these new terms. The novel surveys the history of African-American experience and alludes directly or indirectly to historical figures who serve as contradictory models for Ellison's protagonist.

Some of the novel's effect is surely lost for readers who do not recognize the parallels drawn between Booker T. Ellison does not restrict himself to the concerns of African-Americans because he believes that African-American culture is an inextricable part of American culture. Thus, Invisible Man shows how the struggles of the narrator as an individual and as a representative of an ethnic minority are paralleled by the struggle of the nation to define and redefine itself. Sunday, March 21, Transcendentalism and Emerson's "Nature". Transcendentalism is a philosophical, spiritual, and literary movement of the Nineteenth Century. The transcendentalists, in keeping with the individualistic nature of this philosophy, disagreed readily with each other.

Here are four points of general agreement: […] 1. An individual is the spiritual center of the universe — and in an individual can be found the clue to nature, history and, ultimately, the cosmos itself. It is not a rejection of the existence of God, but a preference to explain an individual and the world in terms of an individual. The structure of the universe literally duplicates the structure of the individual self — all knowledge, therefore, begins with self-knowledge. Transcendentalists accepted the neo-Platonic conception of nature as a living mystery, full of signs — nature is symbolic.

The belief that individual virtue and happiness depend upon self-realization — this depends upon the reconciliation of two universal psychological tendencies: a. The Transcendental Movement strived for people to go beyond scientific or rational thought into a more spiritual and intuitive look at reality. The writers of the movement believed that a look at everything around them can bring them to a better understanding of themselves and their purpose.

Industrialism in America inspired transcendentalists who saw the degradation of the landscape and of human rights brought on by mercantilism. The organized religious structures were attacked by this movement because transcendentalists believed that divinity can be obtained through their own intuition and the understanding of nature. Emerson wrote "Nature" which talks about the knowledge one can gain from the natural world. Ralph Waldo Emerson thought that the only way to achieve transcendentalism was to look to nature for revelation.

He spent a good part of his life away from society trying to find man's purpose. He stayed in the woods for a part of his life to be closer to nature which he deemed as a pathway to divinity. Emerson wrote in "Nature" that "All science has one aim, namely to find a theory of nature" Emerson He argues that nature is the only thing "unchanged by man," and that everything else is simply "Art" Man will spoil the purity or divinity of any nature it touches. If nature is "unchanged by man," then it must be a part of the divine. Since man is a part of nature, he and everything natural is a part of the divine.

Emerson believes that we can attain this higher awakening through nature. I am nothing. I see all. The currents of the Universal Being circulate through me; I am part or particle of God" He professes that he is no one thing, he is all. He is not a thing because he is above being something. He is a man doing something and is not defined by one thing. If one is defined by a thing he or she does like a writer being one who writes , then how can he or she do other things that do not comply with being one thing.

This also shows the duplicity involved with Transcendentalism because man is always trying to define his existence while being pulled toward different identities. Emerson attacks the religious structures of the time by saying,. We are now so far from the road to truth, that religious teachers dispute and hate each other, and speculative men are esteemed unsound and frivolous. They profess to look not only beyond facts, but without the aid of facts, to principles" Konvitz 4.

Religious people are too concerned with the afterlife, but the Transcendentalist is concerned more with one's life here on Earth. Transcendentalists believe that people must rise above the texts of religious works because God must reveal Himself to people now just as He did to those people who wrote religious texts in the past. Nothing divine dies. All good is eternally reproductive. The beauty of nature reforms itself in the mind [ Emerson Emerson believes God reveals himself through nature continually. He refuses to believe that God only exposed himself to a select few for a select time. People can see God in the order and magnificence of nature. Nature, in its ministry to man, is not only the material, but is also the process and the result. All the parts incessantly work into each other's hands for the profit of man.

Nature provides food, water and air in order for man to survive. Nature also "satisfies the soul" of a man, so "In their eternal calm, he finds himself" Nature has a source of power that one can draw from its beauty and order. Transcendentalists thrive on gaining their inspiration, direction and salvation from God through the vehicle of nature. Artists, architects, philosophers, astronomers, chemists, physicists, writers and mathematicians all gain their inspiration and revelation from nature because "Nature is a discipline of the understanding in intellectual truths" Nature is the source of thought and religion.

From a Transcendentalist perspective, people are given knowledge of everything through natural causes. Spirit is the Creator. Religions are primarily based on faith with reason as a polar opposite, but the Transcendentalists see faith in a higher power because the reasoning of nature revealed it to them. People can look at the elaborate design of the universe and know that there is a higher power. Man's association with nature gives man the power to influence nature and even change it, just like the creator.

Nature is also a pathway to which man can find the creator, and "we learn that man has access to the entire mind of the Creator, is himself the creator in the finite" Man's actions while on Earth changes the face of the Earth to create man's own world filled with things that were not present before like buildings and pollution. Man can also control the population or the extinction of species like a creator or a divine entity. Ralph Waldo Emerson wrote a "manifesto" for Transcendentalism when he wrote "Nature" because it became an important guidebook for people to understand the philosophy of Transcendentalism Bloom Emerson and other Transcendentalists believed in their power to gain knowledge of everything from the world, body, and mind they are given.

Emerson wrote "Nature" with an impatient tone that calls for the reader to grasp hold of this philosophy of "The kingdom of man over nature" Emerson He ends the essay by telling the reader that:. As fast as you can conform your life to the pure idea in your mind, that will unfold its great proportions. A correspondent revolution in things will attend the influx of the spirit. Emerson's case that he makes in "Nature" makes it hard for anyone to argue his point. It is an effective argument that shapes the mind of the reader as he or she reads. Everyone who reads "Nature" must question there own beliefs about life and religion as they pass over the pages.

Emerson forces the reader to spiritually redefine where he or she stands. Transcendentalist literature influences readers and writers today because people are always searching for man's purpose and place in this world. The concept also lets one decide his or her purpose in life. Transcendentalism points toward a stream of consciousness that is the vehicle through which an individual can find answers to eternal questions.

Bloom, Harold. Figures of Capable Imagination. New York: Seabury Press, Emerson, Ralph Waldo. The Norton Anthology of American Literature. Nina Baym. New York: W. Konvitz, Milton R. The Recognition of Ralph Waldo Emerson. Ann Arbor: The University of Michigan, Rueben, Paul P. Pound deals with the role of the tradition in art, and how poetry should not try to destroy or react against the tradition. The artist needs to understand the tradition, in order to appropriate its proper use. Pound sees these two periods as a point of reference for modern poetry. The Greek and Provencal artists unified culture by blending music and verse into a melodious flow of rhythm and voice. Pound values this period in art because it brought back the traditions of the Melic and Provencal poets, reviving culture through language and meter.

Pound sees looking back to the great traditions of the past as a way of finding out how to carry on the tradition and how to make it better. The second section of this essay deals with the benefits of rooting art in the tradition. Reason here is not meant in the modern notion of discursive rationality and the reason of the scientific revolution. This idea of intuition that is accessed sensibly, that is by the senses, is a mode of participating in the experience of something overarching in art, some design.

In the tradition of verse, Pound respects and values poetry that harmonizes emotion, language, and time. Rhythm and feeling must coexist in good poetry and music. Pound also explains how poetry should pay close attention to how speech affects the timing of the lines and how the words affect the harmony of the whole. The tradition can and should be looked to by artists so that they can pursue beauty at its highest points. Artists should study how their origins can reveal access points to purer forms of beauty, ones that are more in harmony with nature, history, and human experience.

Pound would not want someone to reject or react against tradition, but he is calling for a look at the heights of art in order to push them even higher. The Body and the Soul are combating each other in order to express the tragedy that both of them are put through in life. The Body and Soul are shown as two different outlooks on life. The structure of the argument is set up with ten lines for the first three stanzas, but Marvell gives the Body the last word with a fourteen line stanza at the end.

The poem explores the polar opposites that people must deal with like the body and soul, faith and reason, science and religion, man and nature, etc. The two arguments are put forth so that they are looking at the same situation from different points of view. The Body and the Soul are taking opposite positions, but they complement each other at the same time. What one side twists, the other side untwists. The Soul begins the argument by protesting that this Body is a "dungeon" in which has "enslaved" it lines 1 and 2.

The Soul talks about the devastation and degradation involved with being confined to the physical realm. Please enable Javascript on your browser to continue. Sexual Morality: Is Consent Enough? Primoratz, Igor The liberal view that valid consent is sufficient for a sex act to be morally legitimate is challenged by three major philosophies of sex: the Catholic view of sex as ordained for procreation and properly confined to marriage, the romantic view of sex as bound up with love, and the radical feminist analysis of sex in our society as part and parcel of the domination of women by men.

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