Why Is Julius Caesar Bad
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What questions it answers. But for a few, it metastasizes. No matter the cause, the end is the same: from the Capitol attack to countless tiny familial tragedies, the results are violence, pain, and shattered lives. And onlookers struggling to understand what about this was so alluring in the first place. Reprinted with permission from Melville House. Contact us at letters time. By Mike Rothschild. Rothschild is a journalist focused on the intersections between internet culture and politics as seen through the dark glass of conspiracy theories. Since , he has specialized in examining the QAnon conspiracy cult. TIME Ideas hosts the world's leading voices, providing commentary on events in news, society, and culture.
We welcome outside contributions. Opinions expressed do not necessarily reflect the views of TIME editors. Caesar is deemed an intuitive philosopher who is always right when he goes with his instinct; for instance, when he says he fears Cassius as a threat to him before he is killed, his intuition is correct. Brutus is portrayed as a man similar to Caesar, but whose passions lead him to the wrong reasoning, which he realises in the end when he says in V. Joseph W. Houppert acknowledges that some critics have tried to cast Caesar as the protagonist, but that ultimately Brutus is the driving force in the play and is therefore the tragic hero.
Brutus attempts to put the republic over his personal relationship with Caesar and kills him. Brutus makes the political mistakes that bring down the republic that his ancestors created. He acts on his passions, does not gather enough evidence to make reasonable decisions and is manipulated by Cassius and the other conspirators. Traditional readings of the play may maintain that Cassius and the other conspirators are motivated largely by envy and ambition, whereas Brutus is motivated by the demands of honour and patriotism.
Certainly, this is the view that Antony expresses in the final scene. But one of the central strengths of the play is that it resists categorising its characters as either simple heroes or villains. The political journalist and classicist Garry Wills maintains that "This play is distinctive because it has no villains". It is a drama famous for the difficulty of deciding which role to emphasise. The characters rotate around each other like the plates of a Calder mobile. Touch one and it affects the position of all the others. Raise one, another sinks. But they keep coming back into a precarious balance. The play was probably one of Shakespeare's first to be performed at the Globe Theatre.
After the theatres re-opened at the start of the Restoration era, the play was revived by Thomas Killigrew 's King's Company in Charles Hart initially played Brutus, as did Thomas Betterton in later productions. Julius Caesar was one of the very few Shakespeare plays that was not adapted during the Restoration period or the eighteenth century. One of the earliest cultural references to the play came in Shakespeare's own Hamlet. Prince Hamlet asks Polonius about his career as a thespian at university, Polonius replies "I did enact Julius Caesar. I was killed i' th' Capitol.
Brutus killed me. The police procedural combines Shakespeare, Dragnet , and vaudeville jokes and was first broadcast on The Ed Sullivan Show. The movie Me and Orson Welles , based on a book of the same name by Robert Kaplow , is a fictional story centred around Orson Welles ' famous production of Julius Caesar at the Mercury Theatre. In the Ray Bradbury book Fahrenheit , some of the character Beatty's last words are "There is no terror, Cassius, in your threats, for I am armed so strong in honesty that they pass me as an idle wind, which I respect not!
The play's line "the fault, dear Brutus, is not in our stars, but in ourselves", spoken by Cassius in Act I, scene 2, is often referenced in popular culture. The line gave its name to the J. The same line was quoted in Edward R. This speech and the line were recreated in the film Good Night, and Good Luck. The titles of Agatha Christie novel Taken at the Flood , titled There Is a Tide in its American edition, refer to an iconic line of Brutus: "There is a tide in the affairs of men, which, taken at the flood, leads on to fortune.
Julius Caesar has been adapted to a number of film productions, including:. Modern adaptions of the play have often made contemporary political references, [44] with Caesar depicted as resembling a variety of political leaders, including Huey Long , Margaret Thatcher , and Tony Blair. Hartley , the Robinson Chair of Shakespeare Studies at the University of North Carolina at Charlotte , states that this is a fairly "common trope" of Julius Caesar performances: "Throughout the 20th century and into the 21st, the rule has been to create a recognisable political world within the production.
And often people in the title role itself look like or feel like somebody either in recent or current politics. Look what happens: Caesar is assassinated to stop him becoming a dictator. Result: civil war , massive slaughter, creation of an emperor, execution of many who sympathized with the conspiracy. Doesn't look much like a successful result for the conspirators to me. From Wikipedia, the free encyclopedia. This article may require cleanup to meet Wikipedia's quality standards. The specific problem is: tone.
Please help improve this article if you can. September Learn how and when to remove this template message. Play by William Shakespeare. This section needs expansion. You can help by adding to it. February See also: Shakespeare on screen and List of William Shakespeare screen adaptations. Julius Caesar. New Cambridge Shakespeare 2 ed. Cambridge, England: Cambridge University Press. ISBN Arthur Humphreys ed. Oxford University Press. Julius Caesar in western culture.
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