Tolkiens Private Life In The Lord Of The Rings

Sunday, April 17, 2022 3:53:56 AM

Tolkiens Private Life In The Lord Of The Rings



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Tolkien's Unfinished Sequel to The Lord of the Rings

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That's right: Mortensen wasn't officially brought in to play Aragorn until three days after filming started. As the dust settled, it became clear that the switch simply came about because Townsend ended up coming across as too young for the virile yet aged king in exile — a feeling that, according to Jackson, Townsend shared. That didn't make matters easy for the incoming Mortensen, though. He had never read the books before that point, not to mention the fact that he was jumping into a key role next to actors that had been prepping for months.

One thing he had going in his favor, though, was that he was already familiar with many of the old Nordic sagas that had originally inspired Tolkien. John Rhys-Davies played a very memorable Gimli the dwarf, rife with humor and heartwarming brotherly love. However, it may come as a surprise that the actor was hardly the best fit to play the diminutive character — physically speaking, anyway. Davies wasn't just a big guy, he was also tall.

In fact, he was the tallest member of all the fellowship actors. Any time he was next to a Hobbit actor, the height difference was actually quite appropriate, but it was tricky business filming many of the scenes that involved taller characters. Not only was his height an issue, Davies' presence on the set in the first place was questionable. The man seriously debated getting involved in the project at all, stating in an interview with Digital Spy that he "didn't want to spend three years in prosthetic and make-up on a film that was going to fail. While Davies may have initially waffled over the decision, in retrospect, it's hard to imagine any other grizzled face in the role.

While Ian Holm is lovingly remembered for his portrayal of Bilbo in both The Lord of the Rings as well as a reprised role in the later Hobbit trilogy, it turns out that playing hobbits was old hat for the veteran actor before he ever stepped foot on any of Jackson's sets. We all remember him playing the old bachelor of Bag End, but his Middle-earth debut actually came in the form of a much younger character — none other than Bilbo's younger cousin, Frodo. You can actually hear him singing the Man in the Moon drinking song in the Prancing Pony before accidentally slipping the ring on his finger here. While the radio broadcast was a nice way to get his oversized, hairy hobbit feet wet, there's no doubt that he ratcheted things up a notch when he joined Jackson's mammoth cinematic production.

While we're all familiar with Peter Jackson's monumental trilogy, savvy fans know that they aren't the first film adaptation of Tolkien's saga. While the film did quite well, bringing in tens of millions of dollars, in the grand scheme of things it didn't capture the saga quite as thrillingly as the Jackson films that followed two decades later. Bakshi, however, disagrees. In a interview, he scoffed at the idea of watching Jackson's adaptation, wondering "Who needs the aggravation.

One thing the two directors had in common? A love of the source material. The characters and setting, are staggering. Nothing like it in fantasy can touch it. In an era when motion-capture characters have become as commonplace as they are breathtakingly realistic, it's easy to forget one of the greatest breakthroughs in mo-cap history: Gollum. Peter Jackson and company faced a challenge when it came to adapting Smeagol to the silver screen. He was integral to the storyline, required a lot of close-up screen time, and was practically buck naked, so you couldn't settle for good facial expressions and throw an overcoat over the character to hide the rest.

Weta Digital, the New Zealand-based company co-founded by Jackson, brought Gollum to life in the Lord of the Rings trilogy as well as the Hobbit films that followed. But while they were focused on the technical aspects of the job, what they really needed was an actor brilliant enough to play the character on the set. Enter Andy Serkis, whose performance was one for the ages as he acted out many of Gollum's scenes while covered from head to toe in motion capture gear. The mingling of Weta Digital and Serkis was magical, to say the least, delivering one of the first truly believable motion capture performances in cinema history. It was a benchmark and an inspiration that spurred the development of countless other characters, like Marvel's Thanos and Caesar from Rise of the Planet of the Apes.

The only question is, why is it still so difficult to nominate Serkis for an Oscar? The man has to have earned one by now. Peter Jackson is inextricably linked to The Lord of the Rings for the long haul. Even Amazon's grand plans for a series set in Middle-earth couldn't get started without an effort to incorporate Jackson's vision into their new project. However, before Jackson, there were the Beatles. And they didn't just want to produce them, they wanted to star in them as well. Picture this: the wise wizard George Harrison the Grey steps into the scene to tell Frodo McCartney that he must go with his faithful gardener, Ringo Starr, to the Crack of Doom, all the while keeping a sharp eye out for that villainous rogue John "Gollum" Lennon.

No joke. Okay, the names wouldn't have been changed, but they really did want the roles. The icing on top? According to some rumors, they wanted it to be a Stanley Kubrick production. Not surprisingly, Tolkien shot the rather wild idea down. Tolkien's writings went through massive revisions over the course of his life. While this is especially true for many of the stories that ended up in The Silmarillion , it also affected The Lord of the Rings as it unfolded. One of the most entertaining examples is the short-lived character of Bingo Baggins. According to David R. Collins' J. Tolkien Master of Fantasy , when Tolkien initially began to write what eventually became The Fellowship of the Ring , he created the character of Bilbo's son Bingo to carry on the story.

However, this wasn't much to his liking, so he changed the character to Bingo Bolger Baggins, the nephew of the hero of The Hobbit. As the story grew and became more serious, Tolkien eventually decided to change the name to the familiar Frodo that we all know and love. In an era when everything can be done with CGI, it's hard to remember that movies, especially fantasy movies, have historically needed a boatload of costume designers and make-up specialists in order to bring everything together in a believable way — and the sheer scale of the workload shouldered by the crew for the Lord of the Rings films bordered on ridiculous.

It's estimated that a whopping 1, pairs of prosthetic Hobbit feet were created throughout the course of filming for the four main characters alone. And the fun doesn't stop there, either. In addition to the footwear, swordsmiths yes, those still exist were hired to create real swords for the set, while 10, arrows were made for The Fellowship of the Ring alone. The piece de resistance comes in the form of 12 kilometers of pipe that were sliced up into Creating the armor literally rubbed the fingerprints off the designers tasked with the job.

The debate over whether Tolkien's infernal monsters come equipped with a set of wings has raged for years. The films depict the fiery demon with large leathery wings that tower menacingly, adding to an overall fearful demeanor. However, in the book, all that is said is that "His enemy halted again, facing him, and the shadow about it reached out like two vast wings. Not actual wings. Of course the books are fantasy, but his knowledge of battle and experience of war is evident. Tolkien admitted he had an active imaginationand twinned with his life during the war, he was able to conjure up ordinary characters who took pride and fought for justice, their way of life and survival.

Brave characters are probably based on the officers and soldiers he met during his service. Three months into his service, Tolkien got a fever from lice bites and returned to Britain. He did not return to duty because after recovering from the fever, he also got gastritis. It was during his recovery in hospital that he started conceptualising and writing the Middle Earth stories, the Mirror reports.

He remembers his wartime friends and heroes in the foreword of The Lord of the Rings second edition and was keen for people not to forget the anguish and horrors of World War One that he had experienced.

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