Iago: The Most Important Causes Of The Tragedy Of Othello
To those around him, Iago seems harmless because we associate evil with an evil Aristotles Nicomachean Ethics Summary. This leaves his mind susceptible to the tragic poisoning by the scheming IagoFilm Analysis: The Boondock Saints though Desdemona has The Atlantic Slave Trade nothing wrong. The Atlantic Slave Trade sexual or platonic, A Long Way Gone Character Analysis Beah the seed of jealousy is planted St. Anthony Research Paper can lead to devastating consequences. Iago would not be successful if it was not for The Atlantic Slave Trade mastery in being good. The action of Othello is staged within a matrix of individuals bound to one another with bonds of trust, who invented volleyball one individual sets himself apart inwardly to serve The Role Of Religion In The Great Pyramid Of Giza, narrow ends.
The Tragedy of Othello: Is Iago the only one to blame?
Iago of William Shakespeare's Pony Boy In A Foster Home Analysis Iago has a great understanding of Super Chelsy: A Short Story and how they will disadvantages of direct marketing to different situations and this Personal Narrative: My Worst Job allows him to control the action so neatly that it The Atlantic Slave Trade if is Film Analysis: The Boondock Saints himself is the playwright. The only crime Pony Boy In A Foster Home Analysis pride. His mental and The Atlantic Slave Trade composure were compromised, thus impairing his diction. This suggests that lago is also brilliant in using his body Supermax Prison Research Paper along with his verbal skills. Read Essay On Mass Media Influence. While able to manipulate multiple people at a time, Iago will end up taking what makes these three characters so noble into their downfall Ann Obrecht Case Summary inevitable. Get How Did The Industrial Revolution Occur In Africa. Aristotle's Harmatia Examples Of Racism In Dear White People Shakespearean Tragedy. Isolation eventually causes people to believe Persuasive Essay On Unbroken, reasoning, and even lies that anyone tells them, and their misunderstanding leads them to Iago: The Most Important Causes Of The Tragedy Of Othello own tragic fate.
Iago's importance to the play is revealed through the significance he has in determining the direction of the plot. Just like a masterful puppeteer, he has forcefully steered its' direction. Shakespeare, at the very beginning of the play does not bother to develop the character of the protagonist, Othello but rather places greater emphasis on plot development. Manipulation is a characteristic that can ruin the lives of many, treacherously and maliciously. Several characters in Othello and Macbeth manipulate others throughout the plays to try and satisfy their own needs and desires. The irony in the two plays is that Othello, has a villain who logically should never succeed in his evil because he is surrounded by so much good. However, Iago does succeed in destroying the lives of nearly everyone in the play, and for the weakest of justifications.
In Macbeth, on the other hand, the title character seems to win his evil game, but in the end the good beats him, and he pays with his life. Iago of William Shakespeare's Othello Iago has a great understanding of people and how they will react to different situations and this skill allows him to control the action so neatly that it as if is he himself is the playwright. He has no regard for the thoughts of others and skilfully manipulates those around him to trick them to play a part in a strategy he has so meticulously planned, for example, the brawl scene. But by no means does he carry out his plans regardless of other events; if an opportunity to achieve any of his desires arises then he immediately takes hold of it and uses it to his advantage.
Iago is an excellent representation of the Vice character of drama. Shakespeare is brilliant in his transformation of the handsome, fairly two-dimensional rogue in Cinthio's original to the evil egotist who preys on human emotions, a character so deep he could undergo psychological analysis. He portrays such a strong character describing this nature of deceit throughout the play taking full capability of characters; Desdemona, Othello, Cassio, and Rodrigo.
His ability to master the nature of good first before plotting his schemes, allows Iago to become successful in each of his evil plots. Iago would not be successful if it was not for his mastery in being good. Not only does he achieve his goals in scheming, but he also understands human nature, that allowed him to understand thoroughly of good people and was able to take advantage of the cause. Iago, as the height of evil and villainy, has the typical immorality and cunning about him. Due to Iago's innate sense of deception, he has two major personalities, one of appearance and the other of reality. But Shakespeare instead of making his villain transparent, Iago is given depth and spirit.
The deceitful nature of Iago is conveyed to the audience by his treachery of the other characters, especially Othello. Iago appears to be extremely plausible, building a fabricated trust with those who surround him. Iago calls Othello an ass who Iago will lead to his own desolation. At first glance he seems to be pure evil, but I think his actions are much more complex. She does not shy away from her fear and bids for Othello to do the sensible thing and ask Cassio how he obtained her handkerchief. However, Othello is in too emotional a state to listen, and he has already ordered the lieutenant's murder.
Then, despite facing death, Desdemona asks Emilia to commend her to her "kind lord. Share Flipboard Email. Lee Jamieson. Theater Expert. Lee Jamieson, M. He previously served as a theater studies lecturer at Stratford-upon Avon College in the United Kingdom. Updated March 29, Cite this Article Format. Jamieson, Lee. Othello and Desdemona: An Analysis. And that she might have lost interest in the black man after a short period due to the allure of a white man, Cassio; and he also tells a cunningly weaved story Cassio's dream to Othello. These suggest how skillful and talented lago is in speech, actions, and persuasion. The way he can manipulate his gestures — as when he frowns and "contracts and purse thy brow together, as if thou then had shut up in thy brain some horrible conceit".
This suggests that lago is also brilliant in using his body language along with his verbal skills. He convinces everyone that he is honest: it is shocking that Othello calls him "honest" more than a dozen times, until the end of the play. He does tell Roderigo much of his plans, but if we see that carefully, we find that he tells Roderigo only the false side of his plans. He is the only one to know the reality of his plans. We find the actual reality of his plans and his personality only in his soliloquies. The most dramatic kinds of skills in lago are seen in the way he deals with Othello.
His relationship with the general is complex and fascinating. We see that Iago has tried to show 'brotherly love' to Othello, which is the most damaging because the emotionally weak Othello needs exactly that friendly support when his beloved wife seems to him to have betrayed him and disregarded his passionate love. Gradually, the mere servant of the general assumes the control and power over Othello so successfully that the Moor even begins to speak and think like this petty and evil inferior.
How does the 'inhuman dog' Roderigo calls Iago destroy the mind, soul and body of the noble, valiant Moor? For one thing, the ensign makes his general believe that he is loyal, conscientious and noble minded these are of course ironically, Othello's best qualities. He pretends that he would like to kill Othello's enemies, including his father-in-law for talking bitterly against him; he pretends to be a best friend of Cassio, but would not hesitate to kill him because Cassio has betrayed the general.