Romeo And Juliet Language
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Romeo and Juliet film language analysis
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In every one of his plays, this clash of opposing ideas is what provides the dramatic spark to make the play come to life. But in Romeo and Juliet, Shakespeare makes frequent use of a particular type of antithesis: the oxymoron. This is when two conflicting ideas are contained within a single phrase, maybe in just two words. We use oxymorons in everyday speech:. But this play has many more oxymorons that any other Shakespeare play. Why does he choose this literary technique for Ro meo and Juliet?
The extremes of new and worrying feelings and the fact that you can flip from one emotion to the opposite in a heartbeat. And an oxymoron is just that — two extremes expressed in a second. Adults tend to qualify, quantify, and have more shades of grey. Perhaps they grow out of having feelings like this. But for some young people, this is how life is experienced. Romeo shares this last viewpoint. The type of love and hate that Shakespeare is depicting in this play belongs to young people, and oxymorons are the way to show it. Even though Shakespeare sometimes places them in opposition, maybe they are not as different as we might think.
In the play, there seem to be a lot of similarities between people when they are full of love, and when they are full of hate. But the movie lacks the nerve to cut entirely adrift from its literary roots, and grows badly confused as a result. The music is a clue. Much of the dialogue is shouted unintelligibly, while the rest is recited dutifully, as in a high school production. Leonardo DiCaprio and Claire Danes are talented and appealing young actors, but they're in over their heads here. There is a way to speak Shakespeare's language so that it can be heard and understood, and they have not mastered it. The only actors in the film who seem completely at home, indeed, are Pete Postlethwaite , as Father Laurence, and Miriam Margolyes , as the Nurse.
They know the words and the rhythm, the meaning and the music, and when they say something, we know what they've said. The other actors seem clueless, and Shakespeare's lines are either screamed or get all mushy. Not that there is much Shakespeare to be declaimed. What can we make of a balcony scene that immediately leads to Romeo and Juliet falling into a swimming pool and reciting their best lines while treading water? Poison yourself! Romeo pumps Tybalt full of lead while shouting incomprehensible lines. He tenderly undresses Juliet and they spend the night together. Shakespeare's death scene in the tomb lacked a dramatic payoff for Luhrmann, who has Juliet regain consciousness just as Romeo poisons himself, so that she can use her sweet alases while he can still hear them.
No doubt I will receive mail from readers accusing me of giving away the story's ending by revealing that Romeo and Juliet die. I had my answer all prepared: If you do not already know what happens to the star-crossed lovers, then you are not the audience this movie is aiming for. But, stay, my pen! Perhaps you are. Roger Ebert was the film critic of the Chicago Sun-Times from until his death in In , he won the Pulitzer Prize for distinguished criticism. Claire Danes as Juliet Capulet.
